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The Current Season
 
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daily notes from the underground SUNSET CRUISE
Grooving with Los Lobos at the perfect SXSW jam session
by Mitch Myers

AUSTIN--For many here at South By Southwest 2000 the nonstop music marathon gets to be too much to endure. Despite the great talent performing all over town, shuffling from gig to gig can feel like a merciless entertainment treadmill that will ultimately devour one's sanity, health and enthusiasm. Sometimes, one worthwhile concert experience is more compelling than five others might be. Sometimes, finding a decent seat at a venue is just as important as who's onstage. Sometimes, just sometimes, everything all falls together and you get to attend a show that satisfies your entire concert-going needs. Guess what? I was at that show on Thursday night.

For the last four years of SXSW, Sunset on the Border has presented acoustic Tex-Mex music in the back of Las Manitas restaurant. Produced by Dan Goodman and Myplay.com's Paula Batson, and available only to a lucky few, this gig offers excellent food, a place to sit, great music and some very special guests. As I jumped out of my car and headed towards Las Manitas yesterday, I noticed a group of darkly clad men crossing the street with the same destination in mind. It only took me ten seconds to realize that Los Lobos were in the house and I was certainly in the right place at the right time.

Yes, the food was hot and tasty and so was the music at Las Manitas. With musicians like Joe Ely, Rick Trevino, Rueben Ramos, Max Baca as well as Los Lobos' David Hilgado and Cesar Rojas (the basic lineup of Los Super Seven) all crowded onto a tiny stage, the audience was treated to a very special evening of ardent singing and impassioned playing.

In previous years, Sunset on the Border was always graced by the presence of the late Doug Sahm. A pioneering force in Texas music since the sixties, Sahm was a gregarious musician who never failed to entertain. This year, the concert was dedicated to Sahm and a solemn Rick Trevino sang the classic Butch Hancock composition, "She Never Spoke Spanish To Me," in his honor.

While Ely thrilled the crowd with a plaintive version of Woody Guthrie's "Deportees" and Ramos, Rojas and Hilgado all sang tunes in heartfelt Spanish, it was yet another special guest who stole the show. Standing patiently off to the side with his guitar in hand, Steve Earle was finally introduced and climbed onto the stage to perform just one song. Switching acoustic guitars with Joe Ely, and murmuring a quick thanks, Earle gave a splendid reading of the wonderful Townes Van Zandt composition "Pancho and Lefty" before heading off into the sunset to a gig of his own.

As a finale to an evening filled with musical excitement, the mariachi band Campanas De America lined up in front and in back of the stage to support Trevino and Ramos in singing even more authentic folk songs from South of the Border. By the time the showcase ended and the back room cleared out, it was only 8pm and an entire night's worth of rowdy gigs loomed ominously before us. But for some, the evening's music had already been played and the only thing to do was to head back home, watch some TV, and rest up for three more fun-filled days of SXSW 2000.

For complete Newcity.com coverage of SXSW 2000, click here.

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