Also by William Scott
Change is Here
“‘Caroline, Or Change’ is the largest single production that Court Theatre has ever attempted,” artistic director Charles Newell tells his company on the first day of rehearsal. “We tried to do it in the past, we tried to figure out when and how, and only now have the stars aligned to make it possible”
(2008-09-16)
Tip of the Week
With “Dr. Egg and the Man with No Ear,” their current project with Australian artist Jessica Wilson, Redmoon’s commitment to “engineering wonder” makes sense. They make magic right before our eyes
(2008-09-16)
The Old and the New
“It’s all beginning in Chicago,” declares Robert Russo, company manager of San Francisco Ballet. The entire company is coming for the first time in more than two decades to kick off their national tour celebrating the seventy-fifth anniversary of America’s oldest professional ballet company, founded in 1933. Don’t think you have them pegged though. While the company boasts an extensive repertory of some of the best choreography ever created, their programs this time will also celebrate some of the newest dances to join their roster
(2008-09-09)
Playing Around
"Is it still the truth if a writer uses composite characters, or compresses time? Is it still the truth if an actor is playing the writer and says to the audience 'this happened to me,' even though it didn't? What is authentic truth in storytelling?" These are the questions central to Margot Bordelon, creator and co-director of Theatre Seven's newest project, “Yes, This Really Happened To Me”
(2008-07-22)
Playing Around
(2008-07-01)
Face to Face
(2008-06-24)
Playing Around
(2008-06-03)
Tip of the Week
(2008-06-03)
Playing Around
(2008-05-06)
Playing Around
(2008-04-22)
The Great Revelations
(2008-04-15)
Playing Around
(2008-04-08)
