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Tip of the Week
Wolf Parade

Tom Lynch

The Montreal-based colossus that is Wolf Parade, the cathartic, epic younger brother to fellow countrymen Arcade Fire, led by the charismatic and wildly prolific Spencer Krug (who also dabbles in Frog Eyes and Sunset Rubdown), is a jewel of Sub Pop Records, whose 2005 album “Apologies to Queen Mary,” a highlight of that year, features one of the best constructed, executed and wonderfully raucous songs of this young century, the delirious “I’ll Believe in Anything.” (Krug’s delivery of the lyrical package “If I could take the fire out of the water/I’d take you where nobody knows you and nobody gives a damn” sends chills up my spine every time.) The new record, the recently released “At Mount Zoomer,” works in a similar fashion as “Apologies,” but embraces a darker, gloomier texture. Instead of shoving you to instigate a reaction, some moments whisper in your ear in hopes of inspiring reflection. Does it work? Of course it does. I personally prefer the previous record’s elaborate, gorgeous frenzy, but here the mood is set early and convincingly, and it’ll be something to witness the two albums blended in a live setting. Krug happens.

Wolf Parade plays July 8 at House of Blues, 329 North Dearborn, (312)923-2000. (2008-07-01)




Also by Tom Lynch

Turn, Turn, Turn
The Dials’ excellent new record, "Amoeba Amore" (No Fun Records), not only builds on the band’s previous work, but across-the-board boasts the band’s best work, each song a fist, some of them featuring colossal crescendos of multiple vocal parts, thrilling moments that overwhelm with jarring conviction
(2008-06-24)

Tip of the Week
The second annual Belmont Arts and Music Fest hits Roscoe Village this week with an all-around impressive lineup, much better than your average street-fest fare of cover bands who dig guitar solos way too much
(2008-06-24)

Our Phair Lady
"Exile in Guyville,” arguably the most important indie-rock record to spawn from Chicago in the 1990s, not only was an eye-opening success crafted by a girl in a boys club, but also a sweaty, personal introduction to a songwriter who would wow us with such natural expression and talent only to break our hearts later in gross disappointment
(2008-06-17)

Tip of the Week
Austin-based Shearwater, led by Jonathan Meiburg, which released its debut in 2001 (“The Dissolving Room”), has quietly built a larger and larger devoted fan base as each year has passed, the expressive, relaxed indie-rock striking a chord with not only crossover Okkervil River fans but also those drawn to the tones of slow-core
(2008-06-17)

Soundtrack to Summer
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(2008-05-27)

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(2008-05-20)

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Copyright Newcity Communications, Inc.

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