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Tip of the Week
Columbinus

Fabrizio O. Almeida

In 1999 two teenagers at Columbine High School near Littleton, Colorado, massacred thirteen of their classmates and wounded dozens more before turning their guns on themselves and committing suicide. Writers Stephen Karum and PJ Paparelli molded countless hours of research as well as transcripts with the survivors of this tragedy into the half-fictionalized and half-living journalism docudrama titled "Columbinus," receiving its Chicago premiere courtesy of Raven Theatre, and easily one of the most moving and visceral theatrical experiences you could hope to have this season. Half-fictionalized because act one, in which eight young actors portray a broad spectrum of teenage types, could be set in any high school, USA, and not just Columbine. Director Greg Kolack impressively taps into his cast’s youthful playfulness and harnesses their raw energy to infuse the proceedings with a relentless momentum and theatrical verve to spare. There is inspired use of songs ("Mad World"; "Bittersweet Symphony") that illustrate as well as illuminate the show’s universal themes of teenage angst, and there is enthralling and stunning use of multimedia. The result of which is a grab-you-by-the-throat first act that is able to sustain its sometimes unbearable emotional tension at a fever pitch, so much so that if I was the parent of a troubled teenager in high school I’d flea the theater to go home and hug them. But then I would miss out on "Columbinus"’s distressing yet cathartic second act, in which the horrors of the Columbine massacre are detailed through the more traditional docudrama narration style. The best compliment I can pay here is that it’s a sign of a powerful performance that although you know how things will tragically end, you nonetheless dread and feel every minute as the show inches towards its inevitable conclusion. And what’s more remarkable is that this is achieved without Kolack’s strong ensemble or his equally strong staging ever falling into the pitfalls of manipulation or didacticism. By the end, I guarantee you’ll be emotionally spent, and all the more better because of it. Recommend it to anyone but especially a teenager you care about.

"Columbinus" runs at the Raven Theatre, 6157 North Clark, (773)338-2177, through March 15. (2008-01-29)




Also by Fabrizio O. Almeida

Face the Truth
"The longer we have this conversation the more I feel uncomfortable by it." Actor Lea Coco is addressing the subject of his looks. "This is going to sound strange but during my short time in Los Angeles the type they kept sending me out for was ‘the most incredible-looking guy you’ve ever seen.’ And I wanted to say, ‘You know, regardless of what I look like I just don’t feel like that is who I am."
(2008-01-08)

Playing Around
Playwright Gregg Opelka is quick to point out why Chicago doesn’t need another Christmas show. "It’s funny. There are all these Christmas shows right now because obviously Christmas is the bigger holiday. But you don’t get the emotional hook that you get with New Year’s Eve." "Marrying Terry," Opelka’s romantic comedy of mistaken identities set within Chicago’s legendary Drake Hotel on New Year’s Eve (see separate review in listings), is his attempt to correct this
(2007-12-26)

High School Grush
Just 24, he’s starring in the Steppenwolf’s production of playwright Robert Aguirre-Sacasa’s "Good Boys and True." In it, he plays Brandon Hardy, a well-off and privileged senior implicated in a sex scandal
(2007-12-18)

A History of Violence
Having first directed at Court ten years ago with her production of Euripides’ "The Iphigenia Cycle" (a later part of the Atreus story), returning to Chicago is always something of a personal and artistic homecoming for Akalaitis, a graduate of the University of Chicago who has family in Oak Park
(2007-09-18)

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