Service Stations chicago home    
city guide events calendar    
bars & clubs    
restaurants    
specials    
best of chicago    

Editorial art    
film and video    
food and drink    
music and clubs    
stage    
style    
words    
sports    
features    









stage

Click for stage events

Tip of the Week
Passion

Dennis Polkow

The least popular of Stephen Sondheim’s Broadway shows, "Passion" can be a tough nut to crack. Composed with music virtually throughout but mostly recitative and rarely aria, the work is essentially a chamber-music opera in a single, unrelenting act that unspools its story via a series of letters across an unconventional love triangle. Based on the Italian film "Passione d’amore," Sondheim gives us an actual experience of obsessive love so vivid that anyone who has had the experience of either being the chaser or the chased can find it unbearably overwhelming. Chicago director Gary Griffin, fresh from his Broadway success with "The Color Purple" (ironically, also a show about a series of letters), brings transparency to the work’s often polyphonic structure by using a second tier for the "offstage" letter writers and recipients, but also quite effectively for the eerie, offstage chorus when needed in some unexpected and powerful moments. Every detail of the show has been rethought in a manner than brings greater clarity and motivation to the proceedings, most notably Ana Gasteyer’s stunning performance as the homely and obsessive Fosca, by far the definitive interpretation of this role thus far. Rather than take a Broadway diva and put a mole or two on her, Gasteyer totally embodies her characterization not only via her appearance—here more plain than ugly—but this is a broken woman in every respect and every desperate syllable she utters and sings reflects that, and yet, there is something shining through underneath attractive enough to warrant interest. But her would-be lover Giorgio (Adam Brazier) is no boring hunk, as he often is, but a flesh and blood person of depth and substance, as is his lover Clara (Kathy Voytko). (As in the Broadway production, the two are naked in the opening scene). If you have any interest in compelling music drama, miss this production at your own peril.

"Passion" runs at Chicago Shakespeare, 800 E. Grand at Navy Pier, (312)595-5600, through November 11. (2007-10-16)




Also by Dennis Polkow

Maestro Mason
No one would question Mason’s serious commitment to Lyric Opera, a company that he has been involved with professionally in one way or another virtually since its founding, ever since he made his singing debut as the shepherd boy in Puccini’s "Tosca" in 1954 as boy soprano extraordinaire "Billy" Mason
(2007-10-09)

Tip of the Week
More of a recitation than a play as such, director JoAnne Akalaitus breathes new life into the piece by choosing the vibrant and poetic but blessedly modern translation by British playwright Caryl Churchill
(2007-10-02)

Passionate Chicagoan
How did a white guy from Rockford end up directing the biggest all-black musical ever to hit Broadway? "It’s a question I get a lot," admits a grinning Gary Griffin, relaxing in the upstairs library at Chicago Shakespeare Theater after an afternoon rehearsal for Stephen Sondheim’s "Passion"
(2007-09-25)

Tip of the Week
Even though Arthur Miller was a man so much of our time that he only died a couple of years ago, his most read and most performed play—"The Crucible"—has been interpreted for decades as an autobiographical allegory of the McCarthy-era Communist interrogations which Miller experienced firsthand by being blacklisted for refusing to name names of artistic colleagues with Communist "leanings"
(2007-09-25)

Soundcheck
(2007-09-18)

Tip of the Week
(2007-09-04)

Tip of the Week
(2007-08-21)

Tip of the Week
(2007-07-31)

Tip of the Week
(2007-07-24)

Kind of Blue
(2007-07-17)

Tip of the Week
(2007-07-10)

Tip of the Week
(2007-07-10)






Copyright Newcity Communications, Inc.

about Newcitychicago | about Newcity magazine | advertising | privacy policy | FAQ | employment