Service Stations chicago home    
city guide events calendar    
bars & clubs    
restaurants    
specials    
best of chicago    

Editorial food and drink    
film and video    
music and clubs    
stage    
sports    
words    
art    
features    









stage

Click for stage events

Movement Vocabulary
Space Cadets

Sean Redmond

Six years ago, musician/composer Gene Coleman first began working with the artists playing in the "Sound Space: Japan/USA" performance, a new sound and stage project put together by Links Hall and Sound Field, Coleman’s very own not-for-profit music-production organization. Having visited Japan and taking an interest in many of the country’s artistic expressions—including its architecture and, of course, music—the project’s theme reflects both Coleman’s personal tastes and an exploration of different "intersections," such as that of traditional Japanese instrumentation and modern electronic composition, the intersection between sound and movement and that of performance and physical space. "[We are] using architecture as a context for the development of the work," Coleman explains. "[We want to] explore the process of improvisation in relation to the space that we’re in and the characteristics of the urban site that we’re in."

Which is exactly what "Sound Space: Japan/USA" is: five musicians of Japanese and American origins, working in conjunction with one dancer, Chicago’s Asimina Chremos (with more performers to be participating at future dates), creating improvisational music and dance inspired by the surroundings of the buildings and cities they’re performing in. And while the idea might sound a bit hazy on paper, rest assured, the performance should be more cohesive than the description might lead you to believe. "The musicians and the dancers are really experienced, both with playing compositions and with improvising, and working in the areas between those two," explains Links Hall executive director CJ Mitchell. Coleman agrees, telling how he would only use dancers "comfortable [with] improvising and using experimental music." But nevertheless, Coleman explains that "the project at this point is a development project," stressing that the performance will be very much a work-in-progress. "All of these activities are being supported as ways for these artists to explore new ideas and collaborate on these new ideas without having to feel the pressure of having to come up with some kind of finished product," Mitchell says. So while the artists are most definitely professional, the performance will still retain a certain level of spontaneity and unpredictability—certainly not negative qualities by any means.

Mitchell, for one, is quite excited to see how it all plays out in his own venue’s space. "Links Hall…has its own special energy," he says, "…and that lends itself to not only having really fruitful experiences for audience members, but there’s something nurturing there for real creative development."

"Sound Space: Japan USA" is performed September 17 at Silverspace, 1474 North Milwaukee, (773)281-0824, at 2pm; September 17 at the Renaissance Society, 5811 South Ellis, (773)702-8360, at 8pm; September 18 at Links Hall, 3435 North Sheffield, (773)281-0824, at 2pm. All events are free.

(2007-09-11)




Also by Sean Redmond

Back to the Future
Dan Deacon is a busy man. Between organizing shows for the B-more scene, recording music and extensive touring (he’s hot off the heels of a European jaunt), it’s amazing that he’s found the time to talk, not to mention play not one but two Chicago shows for September 8, one as part of the Hideout Block Party, followed by a show with O’Death at the AV-aerie that same night. We’re seeing him a mere two months after his stint at Pitchfork this year was cut off due to safety concerns—and who knows, with a little luck, he might even get to play his song "Wham City" this time
(2007-09-04)

Waxing Optimistic
When Sam Greenberg, owner of Hyde Park’s venerable Dr. Wax, was approached by the Harper Court Foundation with a unexpected demand for $15,000 in back rent payments, it seemed that the only option was to go the way of Hi Fi Records, the Virgin Megastore and, most recently, the Record Emporium, and close up shop. Fortunately, however, an upswing in sales and an outpouring of community support has helped Greenberg and Dr. Wax stave off impending doom, and things are looking up
(2007-08-31)

Go West, Children
In an effort to perhaps replace the currently reigning image of himself as egocentric extraordinaire, West has developed his own institution—titled, unsurprisingly, the Kanye West Foundation—whose central program, Loop Dreams, works to bring hip-hop curricula and music-production classes to schools in an effort to motivate students and prevent them from dropping out
(2007-08-31)

Death by Stereo
Stereo Total has always resisted easy categorization. Since the duo’s debut album "Oh Ah!" dropped in 1995, it’s attracted fans with its own unique blend of lo-fi electronica, 1960s French pop and raucous garage rock, rounded out with multilingual lyrics and a colorful choice of cover songs to boot
(2007-08-28)

Tip of the Week
(2007-08-28)

Park on Clark
(2007-08-21)

Tip of the Week
(2007-08-14)

Crystal Clear
(2007-08-10)

Tip of the Week
(2007-08-07)

The Trouble with Transhumanists
(2007-07-31)

Tip of the Wee
(2007-07-31)

Filibusting
(2007-07-24)






Copyright Newcity Communications, Inc.

about Newcitychicago | about Newcity magazine | advertising | privacy policy | FAQ | employment