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![]() Click for stage events Tip of the Week Sueno
I dreamt that a smart theater company had produced a welcome revival of
a seldom seen Calderon. I dreamt that I was transported to an ethereal
land of castled kingdoms, siesta sunsets and glittering pageantry. I
dreamt that my critical capacities were helpless in the face of a
deliciously cocky translation hell-bent on blasting away the cobwebs
from a Spanish Golden Age morality play. And then I realized that I
wasn't dreaming but instead experiencing Greasy Joan & Co. and director
Julieanne Ehre's hugely enjoyable production of "Sueño," a Chicago
premiere adaptation of Pedro Calderon de la Barca's 1635 "La Vida es
Sueño" by playwright Josè Rivera. Absolutely everything about this
production, from the evocative sets to the spicy Castilian soundtrack to
the even spicier performances, does justice to Rivera's bold
translation. Conveying "Sueño"'s story with great alacrity, Rivera's
dialogue is fun and irreverent, poetic and politically astute, as it
chronicles the Prince of Poland's estrangement from his father's
kingdom--due to a monstrous prophecy--and his gradual transformation
from vengeful heir to compassionate and deserved ruler. I lost count of
the number of times I was reminded of Rivera's concern with man's
internal struggle against the animal instinct within himself and his
knee-jerk impulse towards war in times of crisis--also a common theme in
his original plays--but just when I thought he might be in danger of
making the work too preachy or pretentious, a dying character shouts
through his last breath, "If God really wants your ass, he's going to
get your ass." In one fell swoop, this hilarious and heartfelt bon mot
reminds you of "Sueño"'s strongest theme--fate versus free will--as
well as Rivera's down-to-earth approach to the heady ideas within the
play. I would venture to say that this adaptation is the most
colloquial, fluid and funny update of an old classic since Ranjit Bolt's
version of Moliere's "Tartuffe."
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