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![]() Tip of the Week Colour Me Kubrick
(A True...Ish Story) Perversely inconsequential, the unlikely, knowing
anecdote "Colour Me Kubrick" is a delight, with an unlikely John
Malkovich impersonating Alan Conway, a dissolute bounder of a low order
who gamboled shamelessly about London in the 1990s, pretending to be the
elusive Stanley Kubrick even though he looked not a whit like the
director, knew almost nothing of Kubrick's work, and was in it pretty
exclusively for the liquor and the rough trade. Director Brian Cook and
screenwriter Anthony Frewin were both close associates of Kubrick's;
it's simply a lovely, swishy wisp of a movie. Malkovich revels in being
a different incarnation of clotheshorse, less fashion plate than
unfashionable cracked saucer, sometimes decked top to boot in drab
middle-aged fawn and other times an outcast from "Barry Lyndon" in
brocade jackets and exaggerated peignoirs, and especially emerging from
his boudoir in mid-calf fishnets and heels beneath a tatty, crotch-shy
smoking jacket of uncertain chinoiserie chatting up a young guest. (When
a bold ascot parts to reveal a t-shirt with Brando's face from "The
Wild One," the joke turns Warholesque as well.) Cook is restlessly
jokey about Kubrick's fondness for needle drops of classical music and
big band-era pop, and the musical score is comprised largely of cues
he'd used, including the prelude to "Thus Spake Zarathustra." Rather
than the steady yaw of a space station above earth, the music
accompanies the twirl of a garbage bag filled with his laundry taken to
the shop on the next corner (just past the "Bleu Danube" sex shop).
Cook's take on deserted London side streets is akin to the
memory-Greenwich Village of "Eyes Wide Shut," and "There you are,
Stanley, another treble brandy," is surely a sentence never before
spoken on earth, alongside "Little Tommy Cruise would like a part and I
said to him, `Perhaps,' over breakfast this morning at the Savoy; "I
seem to have left my laser platinum no-limit American Express VIP card
at home"; although a few pair of punks may have exulted before with the
words, "Stanley fookin' Kubrick!" Luc Besson's Europacorp was
a primary producer. 86m. "Colour Me Kubrick" opens Friday at the Landmark Century.
Also by Ray Pride Moving Pictures
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Always at the Crossroads
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Under Privilege
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