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Tip of the Week
I Want to Dance Better at Parties

Fabrizio O. Almeida

To all those Windy City white men who can't--or won't--dance, take comfort in knowing that roughly ten thousand miles away a group of Australian blokes also share your dilemma. Artistic director Gideon Obarzanek brings his critically acclaimed Melbourne-based modern-dance troupe Chunky Move to the Museum of Contemporary Art for three performances of the curiously offbeat "I Want to Dance Better at Parties." Part docudrama featuring stories about men and their love-hate relationship with dance, part dance theater, part sociological examination of contemporary male attitudes towards movement, "I Want to Dance Better at Parties" is also a multimedia performance piece reinforcing the idea that movement can be the international antidote to male malaise. Depressed widower Phillip decides he wants to "dance better at parties" and uses ballroom dancing to transform mourning into movement. A physically demanding pas de deux between a male and female dancer is pure movement metaphor for the awkwardness that painfully self-conscious Franc feels when it comes to public dancing. And engineering brainiac Jack employs his background in digital codes to develop a kind of technical shorthand for dance annotation to help him better remember the steps learned in his Israeli folk dancing club. These are just three of the five fascinating and absolutely true stories narrated by the men themselves--via video projections shown on five monolithic panels suspended above the stage--as six male and female professional dancer-actors interpret them down below through an amalgam of recognized dance styles and postmodern movement abstractions. Whatever you ultimately make of Chunky Move's genre-defying antics, hopefully they will be as memorable as their name.

Chunky Move performs at MCA Theater, 220 East Chicago, (312)397-4010, through March 4. (2007-02-27)




Also by Fabrizio O. Almeida

Tip of the Week
"Lady," Craig Wright's funny, intense and deeply satisfying new play at Northlight Theatre works on at least three different yet equally powerful levels
(2007-02-13)

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There can be little doubt that About Face Theatre, director Gary Griffin and a veritable who's who of Chicago's finest actors are doing more than just entertaining theatergoers with their theatrically vibrant production of playwright Emily Mann's docudrama "Execution of Justice"
(2007-01-30)

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This week's big opening may have been Court Theatre and Museum of Contemporary Art's "Uncle Vanya" (see separate review), but Chekhovian fingerprints were everywhere to be found in playwright Aline Lathrop's hilarious and heartbreaking new work "Feast," directed by Kimberly Senior and having its world premiere at Chicago Dramatists
(2007-01-23)

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It comes as no surprise that Actors Revolution Theatre's revival of "Blue/Orange," playwright Joe Penhall's provocative, psychologically taut and verbose three-hander, has been given an engrossing and superbly acted production within the tiny confines of the Victory Gardens Greenhouse Theatre
(2007-01-02)

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