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features

Tip of the Week
Angela West

Michael Weinstein

Back in the fifties, Sweet Sixteen wore penny loafers and bobby sox and was a perky lass. That changed with the sexual revolution and by now--as Angela West represents her in formal color portraits--the girl coming of age fancies herself an insouciant fashion model partial to vampy, slinky dresses. It is only with difficulty that West's subjects wedge themselves into the glamour mystique, which is why her images pack a punch--behind their vain efforts to be chic, these would-be sophisticates are still sweet, possibly perky underneath their facades, and-above all-vulnerable. Some do better than others at making themselves fashionistas, but most are uncomfortable in the pose and are often dyspeptic; others cannot suppress befuddlement or barely restrained mirth.

Angela West shows at Carl Hammer Gallery, 740 North Wells, (312)266-8512, through March 10. (2007-02-13)




Also by Michael Weinstein

Tip of the Week
Nothing in Japanese or any other culture can top the "love hotel"--where couples rent rooms by the hour to act out their sexual fantasies--for its combination of childish kitsch and adult kinkiness. Misty Keasler's deadpan color documentary photographs of these dens of indulgence reveal the understanding of their interior designers that hardcore bondage and domination can be even more arousing for its devotees when they are surrounded by artifacts
(2007-02-06)

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Wilted flowers never looked so beguiling as they do in Kate Breakey's hand-colored black-and-white photographs of expired life that reveal the opulence of decay that has attracted visual artists since the genre of memento mori was initiated by Dutch painters in the sixteenth century
(2007-01-23)

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Chicago celebrity portrait photographer Marc Hauser has staked his success on a signature style of sepia-toned black-and-white images--sometimes enhanced digitally--that present his subjects as though they are ghosts from the past
(2007-01-16)

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Yet another contributor to the current surge of female performance photography, Ann Arden McDonald depicts herself in the buff in ruined and blasted environments where she disports herself in still dramas of confinement and elusive liberation
(2007-01-09)

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