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![]() Tip of the Week Like, Resembling, Similar
Brooklyn-based Luke Stettner comes out on top of this three-person
exhibition at duchess gallery. Through four discrete works, Stettner
charts a conceptually cohesive narrative of the inaccessibility of
communication and the ghost chance of hope's renewal. A word in Braille
is hidden behind glass, never to be decoded by the fingers. Likewise, a
recorded word is looped on a cassette player in a soundproof box in
"The Final Word." The accompanying frustration is either unbearable or
pertinent depending upon the viewer's own frame of mind.
California-based Christine Frerichs deals with similar subject matter as
she repetitively externalizes the memorized image of her deceased
mother's face. Taking eight years to complete this series of portraits,
Frerichs' project is a touching memorial. Finally, Berlin-based Ryan
McLaughlin's ink drawings appear to be a nod to Marcel Duchamp's
infamous Malic Molds and desire machines, yet they succeed better at
being simply a solid collection of formal considerations. The lack of a
unifying conceptual premise from curator Spencer Finch is a debt only in
reference to the show's title, "Like, Resembling, Similar." Otherwise,
this is an opportunity to view some stimulating work by three emerging
artists. "Like, Resembling, Similar" shows at duchess, 1045 West Grand,
(312)933-5317, through February 28.
Also by Jason Foumberg Portrait of the Artist
Tip of the Week
Portrait of an Artist
Tip of the Week
Tip of the Week
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