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Tip of the Week
Daeth of a President

Ray Pride

The two most beautiful sentences I've read in weeks, and they were likely penned by a lawyer: "This film is fictional. It is set in the future." Coming at the end of British director Gabriel Range's "Death of a President," about the October 2007 aftermath of authoritarian opportunism when President Bush is killed while visiting Chicago, it suits Range's neatly arrayed paranoid prognostications, which, of course, is trumped by reality each and every day. ("Habeas Corpus"? What's that?) How would a patriot act after the death of a president? By destroying every last vestige of civil liberties and anointing themselves saviors; by committing all manner of craven cover-up and pitiful power grab, "DOAP" suggests. Range's use of Chicago topography (and footage drawn from several Bush visits to this city) is astute, as is the examination and reexamination of "surveillance" footage in the fictional dissection of whodunit. Peter Watkins' "The War Game" and Kevin Brownlow's "It Happened Here" are obvious antecedents for this style of speculative fiction, and while "DOAP" proposes the existential quandary of a fear of "terrorists" dictating entirely the course of a country's decisions, the film's follow-through, while compelling, never reaches the heights of irresponsibility attained by numberless politicians and business leaders. Of Nazism, and by extension, any vast, complex horror, George Steiner wrote of the "sheer incapacity of the 'normal' mind to imagine and hence give active belief to the enormities of the circumstance." Range does journeyman's work in capturing circumstance, but he cannot run as fast as a contemporary headline ticker. Several Chicago actors are recognizable, as are Joel Daly and Walter Jacobson; James Urbaniak ("Henry Fool") is marvelously dry as a forensics tech who will not bend. 97m.

Major theater chains chose to demonstrate their conservatism by not booking the essentially liberties-driven "DOAP"; while Landmark is showing it in some markets, it opens Friday in Chicago at the Music Box..

(2006-10-24)




Also by Ray Pride

Tip of the Week
Moving at a crushing clip appropriate to the music scene that it looks back on, Paul Rachman's superb "American Hardcore" (subtitled "The History of American Punk Rock 1980-1986"), written by Steven Blush ("American Hardcore: A Tribal History") and shot and edited over the course of five years, after more than a hundred interviews, "American Hardcore" is overloaded with sound and information, including a flurry of orchestrated chaos from self-chronicles by the bands presented, often in deliciously cruddy VHS
(2006-10-17)

I Want Candy
Seven months pregnant, wearing a black knee-length maternity dress, substituting ballet flats for her customary flip-flops, Sofia Coppola is unapologetic about the style of her third feature, "Marie Antoinette"
(2006-10-17)

Tip of the Week
The forty-second edition of the Chicago International Film Festival continues this week at River East, Landmark Century and other locations, drawing from thirty countries and probably just as many festivals earlier in the year
(2006-10-10)

The Queen
The deadly pouf-spoof "Infamous," spiteful and superior, would be second best standing out in a field by itself
(2006-10-10)

Tip of the Week
(2006-10-03)

Gimme Welter
(2006-10-03)

Best of the Fest
(2006-10-03)

Who Would Jesus Kill?
(2006-09-26)

Tip of the Week
(2006-09-26)

The Last Picture
(2006-09-19)

Tip of the Week
(2006-09-19)

Delish
(2006-09-19)






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