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![]() Rolling Bling Take a ride on the low riders at Columbia College
Neither a visit from President Bush on the next block over nor a man
running down the street carrying a sign reading "Iraq didn't do 9-11"
can detract from the party just getting started at 600 South Wabash.
Low-rider culture takes center stage at the Columbia College photo
exhibit by Meridel Rubenstein and the low-rider car/bike display by
Amistad Car Club, Distinctive Lifestyles, Pisados Chicago and Young
Riders. Inside the gallery a mariachi band plays to a dancing crowd of
young car enthusiasts and art seekers alike, a pairing that's completely
natural tonight.
"I wanna ride it," a young boy pleads, reaching toward the
sparkling silver low-rider bike with a luxurious crimson velvet seat.
The creators of the low riders, who look like they should be bouncing
you out of a club, kindly ask the children not to touch these
spectacular works of art because fingerprints aren't exactly the kind of
detailing they spend years perfecting.
As the band quiets, the dancers make their way outside in
anticipation of "pancaking" and "bunny-hopping." Pulling out a
remote so big it's comical, the men of Amistad get the show going as the
classic car bounces up and down with all the low-rider creators cheering
them on, obviously enjoying the work Amistad has done.
But it's not all about rolling down the street with your bass
pounding. "We're artists... taking years to put all this together,"
Pedro Cisneros III of Amistad says. And artists they are--most low-rider
cars on display don't have the stereotypical flames and skulls, instead
they elevate the ordinary into the extraordinary like Warhol's
ubiquitous Campbell's soup can. "We keep it simple with the classic
cars and just take it up a notch."
Rubenstein appreciates the artistry of the cars and the respect they
are gaining. Her photos display both simple-looking low riders and some
of the more impressive bouncing low riders. While all the cars are
something to behold, "the ones with hydraulics are the thoroughbreds of
the low riders," Rubenstein writes in her artist's statement.
And the respect for the work is apparent among the artists. "Shit,
did you see that Lakers one?" fellow car club men whisper about Pisados
Chicago's gold-rimmed and purple-seated low-rider bike like it's fit
for a low-rider king.
But is it the extravagance and beauty that attracts such a
wide-ranging audience? "Straight up, they're hot... And the work we put
into them makes them even sexier," most of the low-riding men laugh in
agreement.
Also by Molly Sullivan Only Connect
Macy Day
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