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![]() Click for music events Crowned Kings Califone returns from hiatus with the bold "Roots & Crowns"
For nearly a decade, Califone has sounded like no other band you've ever
heard.
Built from the carcass of Red Red Meat, Tim Rutili's creation
immediately went beyond Meat's blues-rock leanings towards a new
Americana, integrated with electronic elements, various instruments and
an experimental delivery that bordered on the avant-garde. Along with
Rutili's abstract lyrics--poetic and sad that could easily stand on
their own without musical accompaniment--matched with his whispery,
gravel-terrain voice, Califone's peculiarity was grounded by Rutili's
acoustic guitar work, either finger-picking or with slide, and a new
folk was born.
The band released two phenomenal EPs in 1998 and 2000 before its
full-length debut in 2001. "Roomsound" delivered in every respect, as
did its proper follow-ups, 2003's "Quicksand/Cradlesnakes" and 2004's
"Heron King Blues." This month the band released its fourth
traditional full-length--there was an EP compilation and a couple
instrumental records in there--and it's, surprisingly, the band's best
yet. "Roots & Crowns," on Thrill Jockey, is one of the best records of
the year.
Assured and advanced, "Roots & Crowns" begins with patented
Califone oddity and slides through the first five tracks with gentle but
exciting fluidity. At "Our Kitten Sees Ghosts," the second act begins,
through the all-violin "Alice Crowley," the gorgeous cover of Psychic
TV's "The Orchids" ("And in the morning after the night/ I fall in
love with the light," heard with Rutili's voice, is jaw-dropping) and
the acoustic-guitar based "Burned by the Christians" which, with the
strong vocal harmonies, could be the record's most poignant moment.
Last summer Rutili left Chicago for California for family reasons and
to work on film soundtracks, effectively separating the band by hundreds
and hundreds of miles. A hiatus followed, along with questions of
whether or not the band would return, considering the distance and the
theft of the band's gear while on tour for "Heron King Blues." "We
were all talking about it after a while," Rutili says. "We missed
each other, we missed playing together. There's not better people [in
the world] for me to play with... We took some time and talked about
making a record, getting together for a couple weeks. We did it in
Chicago. I came in with four or five songs. We got done with a lot of
stuff... It felt great to be with everyone. It was nice to go through
the process of realizing that this is something we don't need to do,
that we're doing it because we want to and enjoy it, that it's not some
dire, desperate thing."
A newfound hopefulness can be heard on "Roots & Crowns," evidence
that Rutili and crew have fallen "in love with the light." "I think
it hopes to be hopeful," he says of he record. "Hopeful is a good word
for it."
Rutili says that the album was put to tape all over the country, in
both Chicago and California, Phoenix and even the dressing room at The
Hideout, while he waited for a friend. Aptly so, as for years,
Califone's relied heavily on improvisation, both on stage and in the
studio during the writing process. "It's really fun that way," Rutili
says. "I'm sure someday we'll do it the old way, but for right now we
do this. Some of [the songs] are fully written when I come in, though,
and the things that are changeable, that's what everyone adds...
sometimes I don't [teach] them a song until the tape is rolling."
Considering the depth and detail that's put into lyrics, there may be
an added difficulty in balancing the writing of the words and the
writing of the music. "Writing the music is one thing, putting a song
together is another," Rutili says. "I just try to work on something
until it doesn't bother me. Sometimes I labor over lyrics. There are
some [lyrics] I really labor over, and some rock critic will say, `This
guy doesn't make any sense, this doesn't mean shit, it sounds like he's
drunk and stupid.' And I'll be like, `Okay, I really worked hard on
that, and I think it's great.' I just do what I enjoy, we do what we
love to do, and hope that people come to it fresh and get enjoyment out
of it, too."
Rutili says that his favorite people live in Chicago, that this is
where he was born and raised, where there are the most people that he
loves. But California's not all that bad. "It's okay," he says. "It's
like Chicago if Chicago was nice and had mountains... and there's a lot
better Asian food." Califone plays October 21 at Empty Bottle, 1035 North Western,
(773)276-3600, at 10pm. $12.
Also by Tom Lynch Soundcheck
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Brazen Bazan
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