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![]() Click for words events FICTION REVIEW Otherworldly Genius
Three years ago there was a tiny revolution in the world of
short-story writing. It was a small-stakes putsch, sure, but for those
who flip eagerly to the fiction pages of The New Yorker or Harper's it
was an event. In an issue of McSweeney's, Michael Chabon called out
writers for penning boring stories, and he was presenting an
alternative. Chabon had asked twenty contributors to write thrilling
tales in which something happened, mysteries abounded. Not all the
stories to come from this call to arms worked--but a few of them did,
and they reminded how much more short stories could be if they were
unshackled from literary pretensions.
The only problem with Chabon's literary intervention, however, was
that there was one writer who could be all these things--thrilling,
funny, sad, moving, scary--all at once: Haruki Murakami. Since 1980, the
year he wrote his first short story, the Japanese writer has been a
walking definition of genius: his work is magical because it's almost
impossible to explain how he does it. Why is a short story about a man
obsessed with a human-sized frog not just funny, but poignant too? How
does he make a tale of cooking only spaghetti for a year sound so eerie
and otherworldly? Is there any other writer who can make a yarn about a
man who sees a ghost feel so true to life?
"Blind Willow, Sleeping Woman" is Murakami's latest collection,
and it gathers stories from the last two decades of his story-writing
career. In an introduction the author remarks that the first one was
written in the early eighties, and the last group were written in a
five-week blitz in 2005 and published that same year in Japan as "Five
Strange Tales from Tokyo." In between, he has pilfered a story or two
from other books, and includes five short pieces of "flash fiction."
The resulting book should feel like a grab bag, but instead shines as a
virtuosic demonstration of Murakami's incredible range. "Blind Willow, Sleeping Woman: Twenty-Five Stories"
By Haruki Murakami
Alfred A. Knopf, $25, 323 pages
Also by John Freeman FICTION REVIEW
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NONFICTION REVIEW
FICTION REVIEW
Fiction Review
FICTION REVIEW
High Infidelity
Fiction Review
Death is Not the Plan
The End of Life
Howling Wolves
FICTION REVIEW
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