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Fiction Review
Lonely Sorrow

John Freeman

No one grieved quite like Mary Todd Lincoln. In the wake of her husband's assassination, the first lady donned black garb and never again appeared in anything else. "She was not just any widow," wrote Todd's biographer Jean H. Baker, "she was Abraham Lincoln's survivor."

In his devastating new novella, Andrew Holleran embroiders this history into the tale of a gay college professor who moves to Washington, D.C. in the wake of his mother's death, takes up residence in a rooming house, and begins reading the letters of Mary Todd Lincoln wondering, like her, if it's possible to ever start over.

"Grief" elegantly circles this question, using Washington and its spooky environs as an echo chamber for its themes. In Holleran's hands, the most bureaucratic city in America takes on the melancholic shading of Thomas Mann's Venice.

Among the city's shadows are the ghosts of countless men struck down by AIDS. "You don't know what D.C. was like during the eighties," says one of the narrator's friends. "Funerals, funerals, funerals! I got my suntan one summer from just standing in Rock Creek Cemetery."

This experience has turned Holleran's landlord into a "homosexual emeritus." He is celibate and alone. "Sex had left him in its wake," the narrator notes. "He was a man who'd been riding the rapids of a river, who finally finds a cove, a still pool, and pauses there to catch his breath--though after a while he realizes it's not a pause, but rather the place he has ended up."

With his mother gone, his ties to the past dissolving, Holleran's narrator finds himself tacking toward that place as well, painfully aware that love has eluded him. "The very fact of returning with him to the house produced a feeling of intimacy," the narrator says about returning to the rooming house with his landlord, "even if, once there, we went to our separate floors. Lying upstairs in that house, we were like spiders on the same web; I was aware of the slightest nuance of the stillness in the air between us." The sad thing is they are basically strangers.

"Grief"

By Andrew Holleran

Hyperion, $19.95, 150 pages

(2006-06-06)




Also by John Freeman

Death is Not the Plan
No American novelist knows his craft better than Philip Roth. But in the past decade, as he delivered an unbroken string of prize winners, from "Sabbath's Theater" to his recent bestseller, "The Plot Against America," the Newark-born writer quietly apprenticed himself to a literary form that was new to him: the eulogy
(2006-05-23)

The End of Life
Don DeLillo would not be an easy guy to spot on the streets of New York. It's not that his author photo is decades old; rather, it doesn't capture how small he is, how slight
(2006-05-09)

Howling Wolves
"Howl," the infamous beat-era poem by Allen Ginsberg, turns fifty this year. The anniversary has already led to the inevitable tribute readings and gassy lionizations. Happily, it has also flushed out a terrific anthology of essays on the poem's legacy, edited by Jason Shindler, "The Poem that Changed America: Howl Fifty Years Later"
(2006-04-25)

FICTION REVIEW
With each passing year, Joyce Carol Oates' literary production more resembles a seismic event--a mountain range thrust up from the mysterious below
(2006-04-18)

Nonfiction Review
(2006-04-11)

Poetry Review
(2006-04-04)

Nonfiction Review
(2006-03-07)

Fiction Review
(2006-02-14)

Elementary Justice
(2006-01-31)

Tip of the Week
(2006-01-31)

Nonfiction Review
(2006-01-10)

Nonfiction Review
(2005-11-21)






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