|
|
|
classifieds newsletter signup bars & clubs restaurants specials best of chicago film and video music and clubs stage sports words art features |
|
|
![]() Click for words events Fanfare for the Uncommon Man Harvey Pekar chronicles the majesty of the mundane
The best storytellers are not those who weave words into epic tales of
heroes and villains, nor those who break your heart with tragedies of
romance gone wrong or families dysfunctional to the core. Those stories
tell themselves. The best storytellers are those who can find narrative
in the details of everyday life, who can look at the same thing you're
staring at and somehow see the story.
Harvey Pekar is one of the great storytellers of our time. He edits a
fairly normal existence as a now-retired file clerk in Cleveland into
the intoxicating tales that populate his "American Splendor" comics.
Most of his stories are fairly short, often vignettes that feature
recurring characters in the fullest sense. Where most of us endeavor to
minimize contact with the marginal and discomfortingly odd individuals
who occupy the fringes of our lives, Pekar champions them.
Now in his sixties, and retired from the gushing source that his
seemingly tedious job provided him, Pekar has been especially prolific
of late. Perhaps encouraged by better offers in the wake of the success
of the "American Splendor" movie, Pekar has released two hardcovers in
less than a year. Not unlike a short-story writer flexing his novel
muscles periodically, Pekar adapts to the longer form quite well. His
"The Quitter" from last fall was an autobiographical "apology" for
the journey that led to the finished product he's become. Turns out
that young Harvey Pekar was a pathological quitter, unable to stick out
any endeavor lest he be proven lacking. Like most of Pekar's earlier
autobiographical stories, you can't help feel a mix of sadness and
frustration at the challenging course he sets for himself. If only he'd
been a hang-in-there kind of guy... he could have been a success! Of
course, that's the happy ending to his story. He became the opposite of
the quitter, the champion of the lost cause, clinging to his file-clerk
job and quixotically self-publishing his comic book for years. If
prosperity has largely evaded him, posterity should reward his
persistence.
His new book, "Ego & Hubris: The Michael Malice Story," tells the
strange life story of one of Pekar's younger acquaintances. Malice is a
bright social misfit, who constantly alienates himself from the others
around him by unapologetically manifesting his sense of superiority. But
Pekar finds something else in Malice: an obsessive curiosity about
matters both large and small, like his persistent desire to make a
documentary about an obscure cow-punk band long since dissolved called
Rubber Rodeo. And Pekar senses the insecurity buried beneath the toxic
personality; he extracts it through his story and somehow turns Malice
into an engaging--and even sympathetic--character.
Reading "Ego & Hubris" in proximity to "The Quitter," it's
apparent why Pekar was drawn to Malice's story. In many ways, it's an
alternative take on his own life. Both are passionate, obsessive square
pegs in the social round; both act out self-destructively as schoolboys
and young men. Pekar's challenges stem from his lack of
self-confidence; Malice's from his excess thereof. Michael Malice seems
like the kind of guy you'd prefer not to spend too much time with,
except through the sympathetic pen of Harvey Pekar. Harvey Pekar makes his first Chicago appearance at The Other Book
Festival (sponsored by Newcity) in more than a decade. The OBF takes
place June 4 from 4pm-8pm at Cactus, 404 South Wells.
Also by Brian Hieggelke Life without Newspapers
Life without Newspapers
Designer Toothpaste?
Life without Newspapers
Requiem for a Dream
Hot Dish
Costume conundrums
Fan fare for the Common Man
Ticket-Miser
Car Free
Tip of the Week
Tip of the Week
|
|
about Newcitychicago | about Newcity magazine | advertising | privacy policy | FAQ | employment |