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Nonfiction Review
White Star

John Freeman

Memory has always been Edmund White's muse. By the time he published his classic coming-out tale, "A Boy's Own Story" (1982), White was 42 years old and gay liberation was upon us. The story's poignancy arose not out of its immediacy, but its pastness, the sense that retrieving the experience would never redeem it.

Since then, the Princeton writing professor has turned out a series of autobiographical novels, memorializing the utter devastation of the past three decades in gay life. The apex of this development is certainly "My Lives," White's elegant and revealing new memoir, which reveals that it is not Proust but Jean Genet who is White's biggest influence.

Readers familiar with White's early fiction might be a little astonished to find out just how much he toned down his life before turning it into fiction. By the time he was 16, the precociously sexual White writes in "My Lives," he had some 100 lovers, and was far from satisfied. "My Lives" recounts a lot of it in great detail.

As eye-popping as the sex is--a "dungeon" scene takes the cake--the book never becomes a paean to decadence. "My Lives" proceeds in long set-piece chapters with titles like "My Mother," "My Europe," "My Master," and "My Genet." This structure allows White the length he needs to stretch out and dramatize the reaching back through time that memoir requires.

What emerges is a beautiful onionskin of a book--one we can peel and peel and always find more layers. At the center of it lay not a core of regret or judgment, or even vanity, but a longing so powerful it wants to defy mortality.

"My Lives"

By Edmund White

Ecco Press, $25.95, 368 pages

(2006-04-11)




Also by John Freeman

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William Carlos Williams wrote on prescription pads. Wallace Stevens gave his poems to a secretary at Hartford Accident and Insurance, who typed them up. Poets work with what they've got--and in David Tucker's case, that probably means a reporter's notepad
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Nonfiction Review
One of the great falsities of "travel literature" is the idea that we lurch into strange lands, eyes turned mostly outward. The truth is quite the opposite: Staring out at passing landscapes often turns us inward, as do the static hours spent waiting for connecting flights or buses
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Fiction Review
Rebecca Brown is one of the best-kept secrets of short fiction
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Nonfiction Review
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Poetry Review
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Nonfiction Review
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