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![]() Eye Exam Studio Tours
Most galleries were dark this past Friday night, creating a perfect
opportunity to see what artists are up to in their studios. At the
Network of Visual Art studios in the West Loop neighborhood, my tenants
at Garden Fresh were showing the work of a Milwaukee artist I'd never
heard of, Kathryn Martin. Bridge, the not-for-profit for which I serve
as director, has had this space since we used it for last year's Nova
Art Fair artists' projects, a place that now mostly functions as space
for artist's studios. Usually I don't write about shows there because of
my business connections, but sometimes the art is good enough to tear
down the "Chinese Wall." Garden Fresh is a collective of artists who
use one of the rooms in the building to show the work of other artists.
During Martin's opening on Friday, the entire neighborhood was quiet
except for their space in the back of the building, where a dozen or so
people had gathered.
Martin's "The Airplane Project" is a bit like one huge model kit,
except its final assembly is the artist's rendering of a 55-by-13-foot
airplane. Sheets of corrugated white plastic, varied in dimension, are
laid out in stacks on the floor and, on the wall, a series of toy bags
suspend from hooks, filled with Behr Premium Plus paint chips. What
materials are present in the room are all that's required to complete
the assemblage, which Martin suggests should be arranged indoors on a
flat stretch of wall. The idea is to hang the pre-drilled plastic sheets
with Velcro. Then, following the instructions in an accompanying manual,
begin using T-pins to affix each of the paint chips in color-coded
order. When finished, the resulting arrangement of paint chips recreates
her "drawing." It's unclear exactly what model plane this is, with
four huge propellers, resembling a cargo liner. On her website at
www.uwm.edu/~martinke/airplanes, in a very mumbly artist's statement,
Martin cites New Jersey artist Martha Rosler's collection of airport
and airline photography, "Observations of a Frequent Flyer" as a
factor in her decision to do a plane. But the intense level of assembly
involved clearly also puts art in the same category as the flat-packaged
furniture of such popular outlets as IKEA. When asked how may hours it
would take to fully assemble the piece, she replied that since she's
crazy, it'd probably only take her a week.
Afterwards, a quick jaunt down Halsted to 18th Street and Pilsen was
looking absolutely sloppy with visitors compared to where I'd just been.
Aren't people afraid of the cold? Apparently not there. I'd gone
specifically for the neighborhood's Second Friday openings and actually
started out because of news I'd heard about the Pilsen Photo Group. Word
on the street was that after nineteen months this fine little photo
outpost was taking down its shingle for good. Rumor? Truth? It was time
to find out. Before getting there, however, I started at the far end of
18th Street, as I usually do, at 4Art, where I stumbled across a
sandwich board in the lobby for Robert Marshall's stained-glass studio
in the same building. How long have there been studios there? I'd been
going for years and somehow missed them. Kids were hopping on pogo
sticks in the hall amongst crowds of Polish visitors with cups of wine
in hand. Marshall showed off his newest stained-glass light boxes, which
he mostly sells privately or through commissions. Next, it was down to
the Chicago Art Department (chicagoartdepartment.org), a bright gem in
the Pilsen constellation, and their excitement for the new season of
classes was palpable. It was nice to see such old standards as live
video and sound mixing on the bill with new additions as "The Art of
Games," in which students are given a chance to encounter the history
of gaming, from board to video games. Trying to extend their reach as a
cultural destination, the CAD gang has also added a colorful Friday
night schedule that includes video and movie screenings--the "CAD
Drive-In" and "Drunk Class"--a standing public invitation to come out
and get wasted, all in pursuit of higher education, of course.
Hours later, the crowd at the Pilsen Photo Group had thinned but was
still lingering. Asking around, I found Jeff Mickey, a stout man with a
sprawling white beard amongst a group of friends and supporters, and
asked whether the rumors were true. Yes, he admitted, they'd lost their
lease. It took a few minutes of conversation to finally work out the
correct number of months they'd been working in the space and the whole
conversation proceeded with no small amount of melancholy. Mickey hinted
that they'd continue their operations in some form in the future, but
there were no specifics he could offer other than watching their website
at www.pilsenphotogroup.org for any news that might come along. Kathryn Martin shows at Garden Fresh, 840 West Washington,
(773)732-8968. Through February 17.
Also by Michael Workman Eye Exam
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