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![]() Eye Exam West Town Shakers
Six spaces in a loosely defined area on the Near Northwest Side have
recently forged an alliance to help promote each other's exhibitions.
Taking as their moniker an outmoded neighborhood designation, members of
the West Town Gallery Network, according to 40000 Gallery Director
Britton Bertran, chose the name "because it was as inclusive as
possible." Comprised of his and Lisa Boyle galleries, Fraction
Workspace, Corbett vs. Dempsey, Booster and Seven and Western
Exhibitions, they hope to escape obscurity with a newly found strength
in numbers. Additional information and a map of the network's galleries
in PDF format can be found on the WTGN site at
www.westernexhibitions.com/WestTown. Newcity recently sat down for a
coffee with Bertran to discuss the newly forged network's raison d'être. How did you this get off the ground?
Bertran: Pretty organically. I told John Corbett of Corbett vs.
Dempsey that I was opening up something in the neighborhood. He was a
close friend of mine and mentor from when I was at school at the Art
Institute. One day he came over after I opened and said `You know, we
should really start working on developing some sort of dual openings.'
And Scott Speh had helped me organize, get my shit together and open up
the gallery, and he's pretty much in the neighborhood too. So I had dual
conversations with both of them at the same time about doing this. And
some other galleries in the neighborhood, like Fraction Workspace and
Lisa Boyle, who's right on the outside of Scott's space--we all got
together one time and started shootin' the shit and talking about it and
it all started coming together like that. Do you want to eventually try bringing other galleries into the
network?
Bertran: Oh, absolutely. It's all about the neighborhood itself. Of
course, there's a certain level [of gallery] that we'd want to be
involved, but we're also interested in different kinds of galleries.
John Corbett's place is a little bit different, it's not
contemporaneous; a few of the other spaces are not-for-profit. But it's
not like an application process, if they're interested they come to us
and we can have a conversation about it. It's pretty informal. We pretty
much just do a listserv and chat online and then if something comes up
that we want to talk about--like, we just came out with a map, so there
was a big to-do about the map, who was going to it, what information was
on it, coming up with a mission statement for all of us. So it's not like a merchant's association. How would you describe
it?
Bertran: It's kind of an ad hoc organization. There's no commercial
gain from our collaboration. But you do send out joint mailings of press releases, and share
administrative things: promotion, publicity and things like that.
Bertran: Right, and there's a website that Scott put together and we
all contributed to the design for that. We've only worked on this for
about three or four months, it's still a relatively new idea but we
wanted, with the openings on September 9, to make sure that people knew
that this was here as a destination to augment the other neighborhoods,
not as competition. But of course, the whole idea is to get people into
your place. Where's this heading then? What do you want to do with this?
Bertran: We like to share ideas and hints. Do you know a good person
to make a postcard? Stuff like that. But on the other end, in the future
I can see us collaborating on some sort of conceptual show--where
everybody has a good demeanor and nobody's stepping on anybody's toes or
anything like that. As a neighborhood association what do you want to see happen?
Bertran: As you know, this neighborhood's full of young professionals
with lots of disposable money. Giving them another excuse to maybe do a
Saturday walking tour of each gallery--and everything's relatively
close, but it's also a great way to see the neighborhood. West Town's
emerging--I mean it's always been a kind of gentrified--maybe not in the
last twenty years or so, but in the last five or six years or so, it's
been breaking down and building up over and over again. If you did walk
from gallery to gallery it'd be a pretty interesting journey. We want to
market the network itself on an international scale; we're talking
magazines that a lot of people read, you know, I get excited when I see
a Chicago gallery ad in one, let alone if it's reviewed. Already people
are encouraged by the location because a lot of students live over here
as well, so it's more convenient for them and I think it might be
inviting for even more galleries to open up shop. There's a lot of
storefront spaces around. And, you know, there's the whole history of
the Uncomfortable Spaces here, that kind of thing all happened out in
this neighborhood. Nova news
Finally opening this week after several months of preparation, the
Network of Visual Art (Nova) Project Space at 840 West Washington (full
disclosure: I'm the director of this not-for-profit) on Friday,
September 9 at 6pm will host an exhibition of work by Brian Getnick and
Andy Young. Besides an exhibition space, Nova also provides work studios
for nearly twenty Chicago artists, exhibition space for collectives such
as Garden Fresh and showroom for glass and sculpture artists Peter and
Marilyn Frank. There's also a Resource Lounge with places for posting
artist's opportunities and a full archive of New Art Examiner and Bridge
magazines available for public use. Clarification
While the curators of last week's R4wb1t5 microfest informed this
reporter that the apartment they were using was an abandoned space, an
email from its actual tenants informs us this week that it's in fact the
home of Alterspace, an apartment gallery running under the radar for the
past eight months. Check them out online at
http://www.cayetanoferrer.com/alterspace.
Also by Michael Workman Fall Forward: Art and Museums
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