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![]() Last, last call Lakeview Lounge calls it a night
It is the last, last call for the Lakeview Lounge. A sixtysomething man
clad in polyester pants, a white shirt, and a snap-brimmed hat that
could have been worn by Bing Crosby, sits on one barstool drinking a
Bud. Right next to him is a woman in her twenties with long black hair,
tattoos, nose ring, low-cut shirt and a thong riding above a pair of
painted-on white pants. They don't speak, but they sit in harmony at the
bar, nodding to the music.
That is the beauty of the Lakeview Lounge. Like the year-round
Christmas lights and tinsel hanging from the stage, it is a place where
not-so-hipsters stay around so long they eventually become hip. That,
and the music. The band, consisting of core members Larry Raul, Pat
Kelly and Gary Walters, has been a regular fixture for eighteen years.
Tonight Raul is playing bass and singing lead. They run through it all.
Johnny Cash medleys, "Viva Las Vegas," "Rocky Top," "Black Magic
Woman," "Rock Around the Clock," "Runaway," Hank Williams and Chuck
Berry. But when they strike up "Honky Tonk Woman," the place seems to
freeze. Like the relative with cancer, everybody knows, but nobody talks
about it.
As the clock strikes midnight, the bar gets more crowded. Old-time
Uptown hill folk wearing pearl-button shirts, East Indians, blacks,
hippies, Latinos, punks, punk wannabes, blondes that look like they just
came from a fashion shoot in the Hamptons--all crowd into the
diner-sized bar.
"Tonight is the last night, and we are playing one hell of a sad
note," Raul says. "The best thing about this place is that people came
here from everywhere. Rich, poor, young, old. Like the commercial for
the Olive Garden, `everybody who comes here is family.' Except that our
family is dysfunctional."
Also by David Witter Old Town Blues
Pie-eyed
Carnies
My parade, part 1
How does your garden grow?
The Life Aquatic
Last of the Slaughterhouses
Paint by numbers
The Death of Neon
Take me to the river
A moll meal
Steel stomachs
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