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![]() Tip of the Week Mondovino
Jonathan Nossiter's made a couple of interesting fiction features (the
gloomy "Sunday" and the fractured "Signs & Wonders"), but
"Mondovino," a documentary about the shifts in sentiment and sediment
in the twenty-first century world of wine, combines filmmaking with his
original career, that of a successful New York sommelier. Coursing the
planet with only a small video camera and several languages at his
disposal, the sardonic Nossiter pits small-scale vintners against the
corporate agents of change, capturing small, telling asides against aged
Italian aristocrats from a lineage of centuries who still admire
Mussolini, as well as consultants who advise making wines uniform
worldwide, and the Wine Advocate's Robert Parker, who brags on his nose
and palate in a cluttered home lorded over by his farting bulldog. In
each vineyard he wanders, from France to Italy to California to
Argentina, Nossiter also captures the local fauna, and like the animals,
he's concerned with the local terroir, how the earth itself
brings flavors forth as you live and grow and piss and shit there. It's
assuredly an anti-globalization effort, but despite the concerted
attacks of conservative voices and self-interested members of the wine
community, "Mondovino" is also the portrait of one man's passion for
how life ought to be lived better and how the local will always inform
and improve what we think of as the universal. 135m. (Nossiter premiered
a longer version at Cannes 2004, and is reportedly preparing both a
television and DVD long-form project from his multitude of footage.) "Mondovino" opens Friday at the Music Box.
Also by Ray Pride Modern Medieval
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