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![]() The Last Howl Signing off Sunday nights at Fred Burkhart's
"When your lover is still inside you," says a curly-haired woman with
an air of placid self-importance, "after he has ejaculated. That's
when you do it." Her audience of two darts its eyes toward the
bathroom. This is the last Sunday night open mic at Fred Burkhart's
long-embattled coffeehouse at 2845 North Halsted. Poets and musicians
entertain a packed basement. Underage goths mingle with other bar-scene
rejects. To get up for a mug of the complimentary joe is to abdicate
your seat. As poet Eric Lab Rat sings a stream-of-consciousness ramble,
dapper balladeer Mark Bose struggles through the onlookers, a keyboard
under one arm. Upstairs, overdressed hipsters rummage through
Burkhart's work and possessions, gratuitously introducing themselves
and seeming nonplussed by their lack of recognition.
As Burkhart gladhands his patrons, his eyes and beard bristle with
claustrophobia. At one point, he loses it, chewing out
"Muslim-Catholic" poet Reverend Shahbaz on stage over a scheduling
miscommunication. "People are trying to do their thing," barks the
host, "and then some other people over here are trying to do their own
fucking thing." The rock band Evil Beaver was supposed to perform
directly after midnight, but as they remain outside, Shahbaz and company
reignite the mic and continue their round of eulogies. Lab Rat reads
from his living will. Hannah Huston, barely audible from the back of the
room, spends about twenty seconds on the mic and steps off to booming
applause. A baldheaded, goateed ranter takes a verbal swipe at an absent
enemy. "I'm a Satanist," he says. "I was going to put a curse on
him, but I got home too late." Smokers weave their way toward the door
and hold court on the lawn, oblivious to the outflux from Crush, a
neighboring club bathing Burkhart's doomed abode in its glow.
For years, Burkhart has hosted these unpredictable events. He
expects a five-dollar donation, though he's quick to mention that "you
can always give more." In its heyday, the scene produced a compilation
CD, which Burkhart describes as "seventy-five minutes of pure... orange
juice." For the next week or so, he will continue to live here, among
his eerie artwork and artifacts. Eventually, the house will be
demolished to make way for condos. Burkhart, like his entire cache, must
go. Everything, from the Lego crucifix to the homemade bondage
photography to the stained carafe, has its price.
"For forty years," says Burkhart, "I didn't have a job. Then I
decided to get one, but the only job I could get was as a traveling
salesman. So I sold sex toys." He displays his suitcase full of wares.
"And you'll get a good deal. Because these sex toys aren't new.
They're used."
Also by Emerson Dameron Getting Personal
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Subterranean sport
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