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![]() Tip of the Week Look at Me
(Comme un image) Agnès Jaoui, who writes plays and screenplays with her
partner, Jean-Pierre Bacri, has only one prior credit as a director,
2000's "The Taste of Others," a delicious, civilized round of
misunderstandings that still did not forecast that she could make a
movie as keenly carpentered and effortlessly offhand as the marvelous
"Look at Me" (2004), a complex but rich comedy largely about the often
brackish taste of fame and the inevitable pain of self-esteem, whether
weak or strong. Jaoui and Bacri have written movies like Cedric
Klapisch's 1996 "Family Resemblances" and Alain Resnais' 1997 "Same
Old Song," but their work together on Jaoui's two pictures is sweet,
both as writers and as actors. They write rich roles for themselves, but
also for everyone in the cast. Jaoui plays the harried modern woman who
believes there's some sense to everyone's comings and goings, and Bacri
plays the bullheaded man who never hears anyone but himself. In "Look
at Me," there's a play of looks and grimaces among several interlocking
couples involved in Parisian publishing and music that's a thrill even
beyond the neatly structured storytelling. The central character, Lolita
(Marilou Berry), has a hauntingly beautiful face and voice, yet suffers
from how she thinks others see her, for her weight, for her father's
connections. She thinks of herself "comme un image," as if she should
live up to a photo when, in fact, she can sing "comme un ange," like
an angel, which the French title neatly puns upon. Drama, comedy,
romance--Jaoui has a fierce, cosmopolitan appetite, and "Look at Me"
is a delight. 110m. "Look at Me" opens Friday at the Music Box.
Also by Ray Pride Burp of a nation
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