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![]() Eye Exam Two-way mirrors
"Who Makes Self-Portraits in 2004" opens this weekend at Wicker
Park's Heaven Gallery and, as curator Jason Lazarus hopes, the artists
he picked for the show will demonstrate "new boundaries for the
genre." Lazarus was born with arthrogryposis multiplex congenita, a
form of congenital birth defect that for him translated into a displaced
hipbone and underdeveloped body musculature. Self-portraiture has
evolved for him into a method of contending with his own body dismorphia
and the attendant social effects of working as an artist with the
disease. The artists he picked, though not all chosen for their body
consciousness, are informed by this idea of self-portrait as a way of
achieving acceptance as people outside the norm. "Usually when I think
of self-portraiture, I expect it to bore me," explains Lazarus. "It
has a rap as a phase that most go through in art school. I went into
that phase as somebody with a business background: I graduated from
DePaul with a marketing degree in 1998 and I photographed my way through
as this person with a physical disability; I was using myself as an
actor to comment on contemporary society."
So Lazarus sought out artists using self-portraiture as a way of
looking outward rather than inward, as he had done. His search paid off,
and he discovered a treasure trove of people using their own image
particularly as a way to join the conversations surrounding the artist
in society. "I really wish people could see how these images are only
the tip of large conversation these artists have been having for
years," he says. Take Christine Reinsch, for example. Her images are of
clothes stretched over modeling forms used by fashion designers, every
stitch shoplifted by the artist. Are these the clothing of a human being
stripped of her social concepts of personhood, taken from outside the
accepted norms of behavior as they are? Another series of images come
from each instance in which she was caught in the act, bestowing an aura
of simple criminality upon her project redeemed only by her imaginary
state of outcast made very real. And then there's Robert Rainey, a
commercial portrait photographer for many years who specialized in
family groups. At times, he would offer to shoot their portraits for
free if he was allowed to shoot and keep an image with himself in the
place of the male patriarchal family figure. A gay man, Rainey's images
explore the concepts of maleness rooted in our deepest familial
traditions.
Amongst all these serious issues of who we are, where we come from
and just what we might become are little snippets of humor, glimpses of
just how seriously we actually take all these pitfalls and downsides
that come with contemporary American culture. Have a look at Lazarus, in
all his bare-assed glory, flopping straight and smiling through the air
into a pool of crystal blue water. More than "The Artist on Vacation,"
this certainly invokes the artist at his best--skinny legs and all. Fish tank out of water
Not all are aquatic-themed, though many are. Tress obviously has a
taste for the fisherman's pastime and for the object of his passion,
those underwater dwellers of all shape and size. There are also painters
staring through frames at a miniature Picasso sculpture, toads in
topcoats and cavemen battling a bulldozer--a bulldozer, that is, mounted
on the four legs and tail of a dinosaur. Aside from fishing, Tress also
takes a joyful passion in the kooky and the colorful: each tank reads
like the page from some wonderful little children's book, evoking
wooded places and magical ponds. Each tank's a small collection of
Americana, of keepsakes and souvenirs picked up on wanderings through
flea markets and thrift shops while lodging at his cottage in Catskill,
New York. It's a place that was also once the home of painter Thomas
Cole, who famously documented the Hudson River and whose series "The
Voyage of Life" Tress took as his inspiration. While Cole only aimed to
assemble a portrait of the four stages of a man's life, however, Tress
has assembled something more ambitious indeed: the many stages of a
man's harmony in the imagination. Goodbye Ed
Arthur Tress shows at the Chicago Cultural Center, 78 East
Washington Street, (312)744-6630. OPENING RECEPTION: December 11, 5-7pm.
Through February 13. " Who Makes Self-Portraits in 2004?" shows at
Heaven Gallery, 1550 North Milwaukee, (773)342-4597. OPENING RECEPTION:
December 10, 6-10pm. ARTIST'S DISCUSSION: December 11, 1-2pm. Through
December 31.
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