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![]() Tip of the Week Bright Leaves
With the charming "Sherman's March," (1986) a self-portrait of many
digressions, laconic documentarian Ross McElwee could be considered the
avuncular papa of the contemporary self-referential documentary. Working
with the lope of his mind and lilt of his drawling
voiceovers--heartbreakingly rich--he can seduce a viewer into his world
of dither and bother. "Bright Leaves" doesn't match up to "Sherman's,"
which, in its journey across a landscape of ex-girlfriends, pins a kind
of male personality as wittily and succinctly for its time as Woody
Allen did in his best moments. Boston-based McElwee again returns to his
native North Carolina, searching for his family roots in tobacco. He's
convinced that the family history, including the slow death of his
great-grandfather's holdings at the hands of the rival Duke family, was
the source of an obscure Gary Cooper melodrama, 1950's "Bright Leaf."
When things don't turn out as expected--including a visit to co-star
Patricia Neal, getting her to recall the movie and Cooper from half a
century's distance--McElwee's doodling bewitches. While the film's
uneven, McElwee makes inspired comedy, even when the subject turns to
inane film theorists, or little girl tobacco princesses, or even cancer.
And when he talks about how this movie, which reflects on his late
father and those who came before, is an act of witness for his son (seen
at a couple of different ages, including teching on the project)? I am
struck by the simple beauty of his quests. "Bright Leaves" opens Friday at the Music Box. McElwee will appear at
the Friday screenings.
Also by Ray Pride Home alone
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