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![]() Click for music events Raw Material Newfound Reputation
Damn that Elizabeth Elmore.
After enamoring me during her days in Sarge, a sweet but hard-edged
punk-rock band (think The Paybacks, with less aggression) that worked so
well just because of that dissonance, she launched her band The
Reputation with a self-titled debut--and to me, terrible results. But
alas, she's found middle ground.
The Reputation's debut on Lookout! Records, "To Force a Fate,"
still rings with a more indie-pop sound than Sarge, but she's injected
a great edge into the pre-established fold of bitter lyrics, a very
pretty voice and subdued but tangible energy. Where The Reputation's
debut was filled with turns of hook and phrase that were little more
than matured Avril Lavigne, "Force" goes leaps and bounds beyond. The
punchy and energetic "Bottle Rocket Battles" comes from an angry
place--angrier sounding than anything since Sarge--with enough pace and
continuity to keep the song bursting from beginning to end. And the
record's masterpiece, "Follow-Through Time," carefully constructs a
piano-guitar riff that alone would sell the track; but set behind
Elmore's plaintive vocals, the song comes off as, dare I say, an
advancement in pop music. The band is smart enough to bookend
"Follow-Through Time" with one of the most easily addictive on the
record, "Face It," which sounds almost bouncy compared to the
previous two. A record consisting of nothing but the latter would have
failed miserably, but as it is, "Face It" is almost an emotional
respite and a bridge to further highlights in Elmore's progress as a
songwriter.
The Reputation plays a CD-release party May 14 at the Double Door. Unfortunate migration:
One of the least likely candidates for leaving Chicago has done just
that.
Evil Beaver, the two-woman progenitor of excessively heavy and loud
rock as well as a mainstay in Chicago for the better part of a decade,
is in the process of relocating to Los Angeles. Speaking from Germany
(the Beaver is presently on tour in Europe), Laura Ann Beaver explains.
"Alas, yes. I feel like I got squeezed out of Chicago, but more for
work than anything else. I could not get a job that was cool with me
leaving all the time, so I picked up and moved to Los Angeles."
Though the pair (Laura Ann and Evil Evie) has one foot in Chicago
and one in L.A., and they both still consider Chicago home, they figure
to move to sunny California permanently by July. Before departing, the
Beaver plans on at least a few more shows, including an opening spot for
Nina Hagen at the Empty Bottle in July. The Beaver have recently seen an
upsurge in press coverage, not the least of which was a profile of Laura
Ann in ROCKRGIRL Issue 51, The Drummer Issue.
And what will the Beaver be occupying itself with in Los Angeles?
"Maybe I'll open a hotdog stand and serve Old Style," Laura Ann
jokes. "You know, L.A. Beaver's Weiner hole." Festival shmestival:
A pair of festivals hit Chicago this weekend, making for an
unofficial kickoff to the summer.
First off, Horizontal Action brings its annual Blackout to the Empty
Bottle for the first time (there's more on the individual shows strewn
throughout the music issue). Why is it called the Blackout? At last
year's event, one of the H.A. editors was so drunk that he was hardly
able to stand. The next night, when I reminded him of our (somewhat
one-sided) conversation, he gave me a blank stare before stating,
"that's why it's called the Blackout."
The second festival, which actually began May 12, is the Music
Education and Career Advancement (MECA) Conference and Festival. Slanted
in a significantly different angle than the Blackout (which is composed
of blistering, possibly harmful rock 'n' roll), The MECA Fest includes
more than 200 bands (few, if any, of which rival the chaos of the
Blackout bands) and spans fifteen venues. There are also various
workshops and panels covering insider industry subject matter--careers,
A&R, legal issues, marketing; all the stuff that, although important,
absolutely torpedoes all the fun out of music. Bands were chosen by a
"panel of music journalists and industry professionals," though with
the likes of Buddahead, Air This Side of Caution, and Down the Line
topping the list, it's worth mentioning (and emphasizing, with pride)
that the "panel" did not include the author of Raw Material.
For more information about the various whens, wheres and prices, go
to www.mecaconference.com. (Newcity is a media sponsor of MECA.)
Also by Dave Chamberlain Tip of the Week
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