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![]() Tip of the Week Cinema of the Seoul: The Films of Hang Sang-soo
An increasingly rare pleasure, at film festivals and cinematheques, is
to discover a cinematic sensibility you never expected and to find it
fully formed with several movies ready to prove it. Such was the case
with Hang Sang-soo, the South Korean director (who attended the School
of the Art Institute), when I got to meet Hang and see all four of his
features in as many days at a 2002 retrospective in Thessaloniki, Greece
(the quartet hit New York in November 2003). I'd seen his 2000 "The
Bride Stripped Bare," one of his bifurcated narratives at another
festival that year. But his first feature, 1997's "The Day a Pig Fell
Into a Well"--an absurd, cryptic yet lovely title Hang finally admitted
is drawn from the recesses of a John Cheever story--is a sorrowful,
post-Altman modernist roundelay of four men and women whose lives
intersect in ways that we, as viewers, can ultimately decipher, but they
cannot, with humorous, drunken, and eventually, murderous results. Hang
is a master of the telling, mysterious image, without the strangeness of
his inspirations ever becoming perfumed or precious. His most recent,
"Turning Gate," playing this weekend, is, in some ways, a sad sack
stalker story, but Hang's fervent belief in the strange strands and
twines of all our lives suggest a need for wariness, and a fear of any
manner of reunification. "Turning Gate" opens the retrospective this weekend at Facets. See
Short Runs for details.
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