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![]() Tip of the Week Dazed and Confused
Richard Linklater's exhilarating, wildly entertaining 1993
youth-culture memory piece of self-discovery through teenage rituals is
less geographically specific than the paranoiac Austin, Texas, of his
earlier "Slacker," yet more culturally detailed, capturing 1976
America with loving, ethnographic precision. Linklater's small-town,
blue-collar verisimilitude is invested in a plotless flow of events on
the last day of school, with two-dozen characters overlapping in their
cruising, hazing, flirting, name-calling, drinking and pot-smoking.
While Linklater's loose, unemphatic visual style and concentration on
the inarticulate expressiveness of his characters suggests a younger
version of Robert Altman, his generosity and sweetness of spirit makes
him more of a stoner Jean Renoir. While it dovetails neatly with the
ongoing seventies revival, the film never falls to the precious
nostalgia of films like "Diner." There's a keen link between
Linklater's two features: his own surrogate, the imp-faced Mitch (Wiley
Wiggins), a freshman whose initiation starts on this night, is the right
age to have stumbled through "Slacker," but the link is never forced.
For my money, "Dazed and Confused" is the best movie about American
teenagers, period. Watch for the brilliant, frightening final shot: keep
your eyes up on the road ahead. 97m. "Dazed and Confused" plays Friday and Saturday midnight shows at
the Music Box.
Also by Ray Pride Tip of the Week
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Extras, extras
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Tip of the Week
Short Runs
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