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![]() Leaving Navy Pier Nic Cage gets toasted
Nestled at the butt end of Navy Pier in its Grand Ballroom on Saturday
night, unnoted by the seething throngs threatening to capsize this
immense mall, the Chicago International Film Festival is tossing its
summer gala, a mid-career salute to Nicolas Cage.
It took the star of "Con Air" twenty years to get here; it takes
more than twenty minutes to navigate through Taste of Pier, a Daley
daydream come true. Pricey banquet tables are spaced around the room in
front of the story-high screen that offers video greetings from distant
co-workers, close-ups of Cage and clips. Recent CIFF honoree Bill Kurtis
intones press-clipping anecdotes about Cage's career. Speedboats chop
the slate dusk waters in impossible profusion while Nic drives fast; Nic
yells; Nic says "fuck!"
Chicago Tribune reviewer Michael Wilmington mounts the stage,
clutching a water bottle, dropping names of assignment editors for
long-since-published profiles in Los Angeles-based publications. He
cites a higher authority to challenge another critic's low esteem for
Cage's looks: his mother. "You know," he says Mrs. Wilmington told
Cage, "'In ten years, you'll be the biggest thing in Hollywood.' My
mother couldn't make it tonight, she's got a bad cold, but she was
right. John Simon was wrong!"
The auditorium pops with flashes like a field filled with fireflies
when a ten-foot-high Cher offers her best wishes. Roger Ebert, on tape,
is dressed all in black, and his white hair makes him look more Yohji
Yamamoto-chic than even lounge lizard John Malkovich, who purrs a
non-anecdote on tape. Ebert says that Cage's "Leaving Las Vegas"
character, "hungover beyond belief" makes it "one of the best movies
I've ever seen." Ebert extends the expected sort of tribute by calling
the star of "Family Man" "one of our great actors, one of our most
valuable actors."
Cage's uncle Francis Coppola sends a tape as well, one that's badly
underexposed, his face occluded like Kurtz's in "Apocalypse Now" if
only Brando had worn Hawaiian shirts. Taking the stage, Cage shrugs at
his twenty-two years in the biz, saying, "I still don't really know
what it is that I do," aside from the gift of getting "paid for
lying" while looking for "truth." "If you think of ten million years
from now, I don't know what movies will mean to the animals that exist
then," the star of "Gone in 60 Seconds" ventures.
Soon, the Pier's regularly scheduled Saturday fireworks erupt. "I
love fireworks. I convinced him they're in his honor," jokes festival
boss Michael Kutza at the bar. So are they going to spell out "Nic"?
"Clint," he says, laughing, dropping the name of the previous honoree.
"I convinced him last year!"
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