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![]() Click for music events Big nights Nude
As the Logan Square kids light off purple and red fireworks on street
corners, the same colors flash from automated spotlights in the party
room above the Royal Restaurant. Those inside--boys in pink tank-tops
and karate headbands, girls in slashed-up blouses and dagger-point
shoes, most under 21--dance, nod, and/or make out to a steady electro
thump. For a club night named "Nude," everyone is surprisingly well
dressed.
"I like this scene," says a sweaty reveler reclining next to a fake
potted plant. "It's a little bit punk, a little bit fashionista, and
the music's familiar, but still fresh."
Hidden in a corner alcove, DJs Trancid and Tobias spin off one
robotic groove after another, the chugging beats and synthesizer noises
sounding like the funked-up ringtones of a giant cell phone. An
occasional house or Italian disco track works its way into the mix,
along with a splash of Wax Trax industrial. The resulting cocktail gives
the worldwide eighties revival a strong Chicago flavor.
"Chicago's lost its lead in the dance scene," says Trancid after
his set. "But we're going to change all that. Electroclash? Forget it.
That was the fad--this is the real thing."
Downstairs, next to a flock of women in heavy neon makeup,
DJ/Promoter Johnny Love sits flanked by two crew members in matching
German army-surplus fatigues. "What we've got going on, it's like a
Studio 54 thing meets the Hacienda meets Medusa's meets CBGB's meets a
wedding reception gone awry," says Love, fighting to be heard over the
bass pulse from DJ Traxx's set.
"But I think more and more people will get into it, as the word gets
out. I mean, Nude isn't just the only DJ night to regularly feature
electro--it's the only regular 17+ night in the city. A rare
thing indeed." Nude takes place the first and third Fridays at the Royal, 2401 North
Milwaukee. The next installment will take place July 18 at 10pm,
featuring BMG from Ectomorph, Luis Aguilera, and a Fannypack listening
party. 17 to enter, 21 to drink.
Also by Emil Hyde
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