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![]() X appeal Bryan Singer broods mutant
Bring on the unusual suspects.
Trumping the multi-character concoction of "The Usual Suspects," in
"X2" (also known as "X2: X-Men United"), is a lineup of fourteen
principal super-powered characters and a mix of tones that ranges from
delicate comedy to sly sociopolitical commentary, in which Bryan Singer
challenges his "reputation as a dark, brooding filmmaker" in what he
describes as "a coming-out scene that goes, very, very, very, very,
very, very wrong."
Working on a larger scale than the more austere, $75 million
original--reportedly $120 million, 800 special-effects shots and 200
enhanced shots--"X2" manages to be cheeky, serious and idealistic at
the same time. Despite being based on a long-lived series of comics, its
emotions seem more of the real world than most studio features, a
blockbuster with a conscience. "Whether you're coming out and you're
gay, or you just feel completely alone in the world and reveal who you
are and what your interests are, it's tough," the 37-year-old director
says. "Adolescents struggle with this sense of aloneness." To describe
every character would fill a column, as well as give away much of the
plot's smorgasbord of eye candy. The actors include the "pent-up
amnesiac rage" of Hugh Jackman's Wolverine, sporting 1970s Clint
Eastwood muttonchops and the dueling velveteens of Patrick Stewart and
Ian McKellen ("What have you done now, Charrrrrrrrrrles?"
McKellen gets to purr, as well as levitate and symbolically walk on
water). Brian Cox, Halle Berry, Famke Jansen, James Marsden, Rebecca
Romijn -Stamos, Alan Cumming, Anna Paquin, Kelly Hu and Aaron Stanford
also join in the melee. Does it make sense? Actually, it plays like many
mini-movies, exuberant in individual scenes but dizzying overall.
"The men are unusually castrated in this picture, I started to
realize," Singer says with some kind of wonder in his voice. "Xavier
and Cyclops are imprisoned; Wolverine is relegated to being a
babysitter. It's kind of fun that way." He adds, "It's also the first
time a woman [Berry] in a movie, or so I am told, has been put behind
the seat of an F-16 fighter."
There's other gender bending at work. There's a comic scene with Hugh
Jackman's Wolverine, where, without giving too much away, he seems to
bed several characters, and not only females. "That actually came from
an idea my attorney had, my extremely heterosexual attorney, David
Feldman," Singer says, grinning. He had the idea "that Hugh Jackman
should sleep with Halle Barry. By any means necessary. I said, `It's not
going to happen.' And he said, `Can he sleep with Rebecca Stamos?' And
I'm like, `No, no, no.' I started thinking... Her Mystique character can
be anybody. That scene evolved, it became very exciting, and also very
expensive." In shooting the scene, an extra bit was filmed for the gag
reel with Singer. "Yes, I got a big wet kiss from Hugh Jackman. Women,
be jealous! And some men, for that matter. It's really sick, because I'm
dressed in Jean's outfit. I'm supposed to be in the position to
illustrate a bit we were doing, then Hugh just grabbed me and gave me a
big, wet kiss. I was very disoriented and couldn't fully appreciate the
moment."
The opening scene is essentially a terrorist attack on the Oval
Office. Singer says that the story was conceived before 9/11. "Names
have changed, jungles have turned to deserts, but the conflicts have
remained the same and they will continue to as long as people of
different races and nationalities and religious groups exist on this
earth. To comment on it, particularly with the X-Men universe, which was
born at the height of the Civil Rights movement, is inevitable and
unavoidable."
There's a love scene between two characters who've held back until
the middle of this second installment that plays like a riff on one of
the most famous scenes in "The Empire Strikes Back." "I love `The
Empire Strikes Back.' It's very much an inspiration to this, I'd be
lying if I said it wasn't," Singer claims. Like "Empire," he defined
his challenge as "making a second film that was more rich in character
and with a larger landscape, and perhaps darker, but with humor and more
romance. But when I shot that scene, I decided they would kiss on the
set that morning. I shut down for about an hour, feeling that in the
scene, they were talking about their relationship, not acting on it.
After sitting in a field for an hour, it was like, `Ah! They should
kiss!' I turned to the camera crew, I said, `You look like a bunch of
heterosexual males. How many of you think these two characters should
kiss? I got eleven yeses, and one, "Can they do more?" One night
toward the end of the shoot, I sat down with some of my friends and
watched `Empire,' which I hadn't watched in years. And there's this damn
scene where Princess Leia's helping fix the Millennium Falcon and this
guy comes up, he's not as roguish as he thinks..." He trails off,
having described his own scene in "X2." "I'm very proud of that
moment, it was spontaneous and necessary to further that journey. Thank
God I'm friends with George Lucas."
"X2" opens Friday.
Also by Ray Pride Tip of the Week
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Growing up
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Double down
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Taking stock
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