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![]() Tip of the Week Quai des Orfévres
Naughty and overheated, the restoration of Henri-Georges Clouzot's 1946
"Quai des Orfévres" is a sweet marvel. Bernard Blier (father of
director Bertrand) plays Maurice, a mousy, balding pianist who lives in
constant fear of cuckolding. His wife, who uses the stage name Jenny
Lamour, is played by Suzy Delair, simply vulgar and sweating her
desperation to rise above her dirty past. She clutches at any possible
success, including posing for nudie photos for her friend Dora (Simone,
whose quiet sophistication offsets Delair's clutching grubbiness). In
the nightclubs, older men seek her attention. She wants the roles; she
wants the opportunities. (They might just want a little leg.) Clouzot is
pitiless about the troubles the characters cause themselves, telling
lies, making excuses, and fabricating unnecessary alibis. All of the
film's many characters have an incredibly dense life, with conflict
arising from friendships, conflicts, desires, lies. The plot
machinations, coming from the director of "Le Corbeau," are a hall of
mirrors, particularly after the appearance of the great Louis Jouvet as
a cheerfully twisted inspector. The exquisite noir lighting and location
work suggest a kind of realism, which Clouzot constantly subverts with
near-deranged expressionist elements. To watch Blier staggering down an
alley in this film is to recognize the limits of color film. (The title
refers to the street where the story's police station and hive of
interrogations is located.) "Quai des Orfévres" opens Friday for a week at the Music Box.
Also by Ray Pride Bringing out the dead
The Six Days of Christmas
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The J-Lo Show
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DVD Tip of the Week
Time regained
My Big Fat Night
Turn into the slide
Perfectly mediocre
Tip of the Week
Imitation of Life
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