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![]() Tip of the Week Evelyn
What's Irish painter and decorator Desmond Doyle (Pierce Brosnan) to do
when his wife scoots out on him the day after Christmas with an
Englishman, leaving him with two young boys and a small girl? Bruce
Beresford's "Evelyn," from a script by Paul Pender and produced by
Brosnan's Irish Dreamtime, answers: hold your breath, worse is coming.
Based on an actual groundbreaking 1950s family-law case in Ireland,
"Evelyn" traces the efforts of the single, but not widowed, father to
reclaim his kids once they're taken away by officials and imprisoned in
what lawyer Stephen Rea dubs "a cozy conspiracy between the Catholic
Church and the Irish government." The story also has a sly subplot
about the power of publicity before it became as perverse as the law.
It's all low-key melodrama, which Beresford's usually good at, with
the
spectacle of stern nuns who, though hardly as cruel as in Peter
Mullan's
upcoming "The Magdalene Sisters," still call little girls "ya dirty
little tinkers" and, when challenged, reflexively box an angelic
child's ruddy cheeks. It's Desmond's last straw when his daughter
Evelyn
is abused, and the law's his only hope. There are dashes of deeply
rueful Irish humor. "Well, David beat Goliath in the book I read," a
weary-looking Brosnan intones; he also observes, "I like Yanks, I do,
most of them are Irish, anyway." Even with the year's most dubious
heart-tugs--beware the "angel rays"--"Evelyn" is a small, sweet
picture that touched me, a heart warmer that manages to shy from
schlock. With Alan Bates, who's kinetic standing in place, Julianna
Margulies and Aidan Quinn. 105m. "Evelyn" opens Friday.
Also by Ray Pride Tip of the Week
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