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![]() Click for words events TIP OF THE WEEK Anthony Lane
Pile a range of writers who write about film in a room and it's sure to
turn to a hen party, a gabble of stories about editors wronging and
other writers who write in weak ways or God forbid! with self-proud
flourish. So yeah, lesser-light word wranglers have envied the easy
luster of New Yorker critic Anthony Lane's prose since 1993.
"Nobody's Perfect," the 752-page doorstop of a decade's prose from
the fortyish, Cambridge-educated writer is a bipolar contraption, the
first half gathering his name-makingly clever-yet-dispensable pirouettes
around eminently disdainable pictures like "Speed 2: Cruise Control,"
followed by longer appreciations. It's these latter essays that sparkle
with cosmopolitan wit, yet without resorting to the Teflon scorn of his
movie pummelings. He's particularly piquant on Nabokov, W.G. Sebald,
Bresson, Sturges, Keaton and Tati. I especially treasure his sweet
portrait of photographer William Klein. Anthony Lane will discuss "Nobody's Perfect: Writings from
the New Yorker" September 18 at 7:30pm, at Barbara's, 1350 North
Wells, (312) 642-5044.
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