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![]() TIP OF THE WEEK Chinatown
This 1974 bravura reexamines the detective film from a director (Roman
Polanski), writer (Robert Towne), and star (Jack Nicholson) at the peak
of their powers. In "City of Quartz," Mike Davis' seminal study of
Los Angeles as city and spectacle, myth and nightmare, he writes of
"Chinatown": "A major revival of noir occurred in the 1960s and 1970s
as a new generation of émigré writers and directors revitalized the
anti-myth and elaborated it fictionally into a comprehensive
counter-history. Thus Robert Towne (influenced by Chandler and West)
brilliantly synthesized the big landgrabs and speculations of the first
half of the twentieth century in his screenplays for 'Chinatown' and
'The Two Jakes.' ... "Chinatown" suggests (in a history more
syncretic than fictional) [that the] windfall profits [of Los Angeles'
boom] welded the ruling class together and capitalized lineages of power
that remain in place today." "'Course I'm respectable," John
Huston's Noah Cross says, "I'm old. Politicians, ugly buildings and
whores all get respectable if they last long enough." Twenty years on,
"Chinatown"'s beauty grows. With Faye Dunaway and Burt Young as a
blind-chewing cuckold. Panavision. 131m. (It's being shown to
complement the release of producer Robert Evans' autoerotobiopic, "The
Kid Stays In the Picture.") "Chinatown" plays Saturday and Wednesday at the Film Center.
Also by Ray Pride TIP OF THE WEEK
CANDID CAMERA
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MICE DREAMS
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SIGHT GAGS
TIP OF THE WEEK
SNOW MOTION
DOUBLE DEUTSCH
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