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![]() AMERICAN ICONS: Garbo Lives Pondering the created quality of Hollywood stars
It's probably safe to say they're not making Hollywood icons anymore.
But how did they make them in the first place? It's accepted wisdom
that the images of stars and starlets were carefully crafted and
controlled by the studio system, with the aid of a compliant press, but
that doesn't really explain why a small number of stars transcended
their time and their work to become lasting symbols. The photographs of
Ruth Harriet Louise, currently on display at the Terra Museum, don't
hold the answers, but offer a rare opportunity to intensively study the
process of starmaking. In the late 1920s, when she was only in her
twenties, Louise had an extraordinary, if short, career as the portrait
photographer at the newly formed MGM. In eighty vintage prints, we see
the mostly forgotten likes of silent screen gods and goddesses--Lillian
Gish, John Gilbert, Roman Novarro.
And then there's Garbo. Louise was there when Garbo came to Hollywood,
and became the photographer who helped shape her image. Louise
photographed Garbo repeatedly during this time period, and her photos at
the Terra offer a singular opportunity to study the evolution of an
icon-in-the-making. The brooding European enigmatic beauty captured for
eternity by Edward Steichen in Vanity Fair showed up for her first
session at MGM looking like just another showgirl. But it didn't take
long for Louis B. Mayer and company to figure out they had something
special--by her second MGM film, just months later, Louise was already
capturing the essence of this mysterious leading lady.
Louise proved a masterful image-maker for young starlets, many of whom
were about her age. Ironically, however, her career came to an early
end, when she was eased out in favor of George Hurrell, who had the
fortunate opportunity to shoot Norma Shearer in a most favorable way. In
what became a signature technique, he worked wonders, not only with
fashion, makeup and lighting, but also with the retouch, which he used
to render Shearer (also known as Mrs. Irving Thalberg, wife of MGM's
chief producer) as a sensuous seductress.
"Ruth Harriet Louise and Hollywood Glamour Photography" runs
through July 7 at the Terra Museum of American Art, 664 North Michigan,
(312)664-3939.
See these other American Icons stories:
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