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![]() Click for music events RAW MATERIAL All things local
I'd call this a local record roundup, but it's not really a roundup. Instead, it's an update; the round-up comes at the end of the year, after the horses jump the fence. First up, an odd little supergroup, so to speak. Vortis, which includes in its ranks drummer/Sun-Times music critic Jim Derogatis and lead singer/Purdue political philosophy professor [full disclosure: as well as Newcity photography critic, friend of Raw Material] Michael Weinstein, is a highly political punk rock band. The band, due to release "Vlntstrctrs" EP this month, takes its name from a short-lived British art movement ("Vorticism" faded away before the end of World War I), which attempted to absorb all positive and negative energy (the vortex) that life has to offer, resulting in uninhibited artistic freedom. (That is a very short, by-the-numbers explanation.) Vorticism as an art movement was extremely rebellious, and it follows suit that Vortis the band is as well. The record's five songs are lyrically hardcore: from the "New World Order/crush the borders/throw away your camcorders" refrain on "Generation Y," to "Abu/fuck you," the opening line of "The Ballad of Mumia Abu Jamal." Musically, Vortis is slow-to-medium tempo punk rockpower chords galorebut with promise. And regardless, at least here's a politically oriented rock band that's not self-obsessed in the least, and there's not a damn word about how vegan or drug-free it is. If you want to hear for yourself, the band has shows planned for Nevin's Live (November 24) and the Hideout (December 21). Folks heading to the Metro November 8, for the (International) Noise Conspiracy, would do well to arrive early for Milemarker. A transplanted band from North Carolina, Milemarker recently released its fifth record, "Anaesthetic" (Jade Tree), and it has become one of my favorite locals of the year. Playing nebulous indie art rock with a sense of poignant purpose, Milemarker sets every instrument at an angle against each other, the very chaotic nature of which makes for extremely cohesive songwriting. The glue of the seven songs on " Anaesthetic," however, are the alternating male-female vocals, both of which add an unsettling sense of urgency, while carrying only slightly challenging (to the listener) melodies. I recently read a review calling Milemarker a combination of Devo and Fugazi; I get the Fugazi part (the threads of that band freely drape Milemarker), but the Devo partdespite electronic gadgetry here and thereis all wrong. Regardless, the record is totally worth the asking price. Finally, a few others worth mentioning: Suburban quintet Boylion shows creative rock music potential with "B, A, Select Start" (out November 13), though the potential only comes through on every other song. The rest? Derivative indie drivel that sounds like it's trying to sound like an indie Chicago rock band... Delmark's most recent set of releases includes a vintage ragtime recording from Brun Campbell, "Joplin's Disciple," recorded in 1947. Though it might not interest many people who aren't Scott Joplin fans, it's a bit of well preserved history and a snapshot of authentic bar music from the turn of the nineteenth century... Tub Ring, whose Invisible Records' debut, "Drake Equation" just found its way into my hands, creates tangible schizophrenia on CD. Think the Dead Kennedys crossed with Mr. Bungle, a circus and the psyche of the Unibomber. Crazy noise. More Tub Ring later. Live notables: Congratulations... Additionally, two of Myers' Raw Materials were converted to spoken word and read on National Public Radio's "All Things Considered" in October: "Hellhound on my Trail" ("Ghost Track" in Newcity) and "Need for Speed," both of which come from his hard-to-find "Four Fables" demo CD, recorded at Engine Studios and produced by Cash Audio guitarist John Humphrey. Also by Dave Chamberlain RAW MATERIAL
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