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![]() Click for words events FICTION REVIEW Believe it or not
An evil pond that uses its vine-covered tentacles to kill; a battle between two neighbors where one decides to use the other as a scarecrow in his cornfield; and an entire set of stories featuring lethal, vengeful animals are just some of the messy, imperfect offerings knotted up in this short-story tangle by Patricia Highsmith, author of such macabre masterpieces as "Strangers on a Train" and "The Talented Mr. Ripley." The premise behind each of the sixty-four stories included in "The Selected Stories of Patricia Highsmith" shimmers with a menacing darkness that leaves the reader quaking with an anticipation that is, sadly, never quite fulfilled. Stories like "Woodrow Wilson's Necktie," where a young man amuses himself by killing real people and including their corpses among the exhibits at a wax museum, or "The Button," the tale of a father with a disabled child who releases his pent-up anger on a complete stranger, should deliver characters and plotlines that scare up plenty of chills and thrills. And yet, the characters are oddly flat and deflated, knocking around story structures that read more like blunt plot summaries than finely crafted short stories. With the 1999 Anthony Minghella film adaptation of "The Talented Mr. Ripley" (two new Ripley films are reportedly in development), there has been a Highsmith resurgence bubbling just below the surface of American pop culture. Add to that an impressive fifteen-book launch initiative-kicked off by "The Selected Stories of Patricia Highsmith"-that will reintroduce virtually all of the author's out-of-print work and Highsmith is poised to generate some serious posthumous buzz. The secret behind Highsmith's success has always been her uncanny ability to take ordinary, everyday individuals and plop them into extraordinary circumstances that beautifully showcase humanity's dark underbelly. But the short-story form, as evidenced by the tales in this collection, doesn't agree with Highsmith's true nature as a writer: She seems to need more time and space to fully develop her dark worlds into places that readers, at least momentarily, wish to reside in. "The Selected Stories of Patricia Highsmith" Also by Tony Peregrin LESSONS LEARNED
FACE OFF
OH RIKKI
LAVENDER HAZE
GREAT SEXPECTATIONS
COLD COMFORT
BROTHER'S KEEPER
GOLDEN NUGGET
BLOODLETTING
GAY CHICAGO
MANIFEST "DENSITY"
TRUTH ACHE
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