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WB-SPLOITATION
Pretty TV faces get drive-in dirty in "The Forsaken"

Ray Pride

For actors on the WB's series, a fresh rite-of-passage seems to be finding just the right role to break the pretty-face mold.

J. S. Cardone's eighth feature, "The Forsaken," is a hurtling, old-fashioned slam-bang near-Tromafilm variation on "Near Dark," noisy, restless and cheerfully, unabashedly "B." It's the kind of slim-plotted high-body-count bad movie I loved to discover at the drive-in when I was 14. Eight undead walk the earth, unleashing a "telegenic" virus as they feast on their still-human victims. The mumbo is jumbo, but jolly: the backstory of the 900-year-old band is rattled through at a diner over a rare burger with the speed of a man-walks-into-a-crypt joke. Johnathon Schaech, like a sallow-cheeked younger Peter Gallagher, and sex-mad sidekick Phina Oruche, roams the desert in search of an escaped victim (the agonizingly adorable Izabella Miko). On their trail: veteran hunter Brendan Fehr and reluctant confederate Kerr Smith.

One of the bad-guy crew is played by 18-year-old Alexis Thorpe, from "Young and the Restless." As with most actors, there's a whole range of experience that gets condensed into snippets of screaming and slashing. (She related this role to playing Manson family stalwart Squeaky Fromm in Stephen Sondheim's chilling musical, "Assassins.") She believes "The Forsaken" is about "a gang of kids who really are lost who grab onto anything they can. It's about finding a pseudo family." Of the not-so-family nudity by other female characters, she notes, "It's not done in a sensual way. I don't think this movie will attract people who are looking for boobs." Of the desert locations, she reacted like a pro: "You fly me to this hellhole and have me die on my first day? I wasn't trained that way!"

Kerr Smith, preparing for "my annual smooch" as gay Jack McPhee on "Dawson's Creak" is the reluctant vampire hunter in a bloody movie where the word "bitch" occurs almost as often as "Fuuuuuuuuuuck!" Is it exploitative? A pause. "You're killing me." He grins. "We all want to make a buck here, it's that simple." Is it that cynical? "Unfortunately, it is." And the language? "Some of the 'bitches' were ad-libs. I think we cursed too much in this film." Still, if he were chasing vampires, he says, "I'd be throwing f-bombs out there." Of Cardone's films, he says, "They all take place in the desert and there's blood." He jokes that he and Fehr were doing an "Easy Rider" Nicholson-Fonda pairing. "We didn't want to do the campy teenage thing."

But he's realistic about the motion picture on view. "Really, the only roles I'm going to get are the ones [directed] to the 'Dawson's Creek' demographic. I'm 29, I'm not a kid. I want to follow the career of a Philip Seymour Hoffman or an Ed Norton, guys my age." So what do you do? "It is a business and you don't get the work unless you know how to market yourself, sell yourself to the casting director." But what about his bread-and-butter role? "I'm playing 18, I'm shaving twice a day, man. It's brutal."

Izabella Miko, the round-faced, Polish-accented sidekick in "Coyote Ugly" (but no WB-pretty), plays a role that involves both coma-in-dishabille and sustained shrieking. But, she notes in her mellifluous accent, "Real acting is not about dialogue." She doesn't mind her nude scenes, which include an opening shower scene where she's lavished in blood. The former model and dancer says, "I don't want to be notorious [for being cute]." And hers is a role where the big moments are brazen pantomime. She likes movie acting more than modeling, she says. "They're shooting me in these Gucci clothes and I look like a dork."

Johnathon Schaech, relishing every close-up, plays a vampire who toys with his prey like a cat with a mouse, and thinks Cardone's script is making canny fun of exploitation films, going so far as to invoke Joseph Campbell's theories of myth. But Simon Rex, model-turned-VJ-turned "Felicity" co-star who plays the bloodsuckers' "day driver," may have the clearest head. "It's not your cliché fangs and garlic vampire picture. It's violent, it's got hot chicks, it's edited cool, it is what it is. Adam Sandler gets slammed by the critics, but he makes a lot of money." So Cardone knew what he was doing? "He wrote it sort of young and hip for a reason." And what's in it for Rex? "It's good for my reel, the first character where I had to go to a speech coach, learn a Texas drawl. In the past, I always played me."

The very funny, fast-joking Phina Oruche, the swollen-lipped black Liverpudlian actress recurring on "Buffy the Vampire Slayer," plays someone different from herself. She found her blood-muncher to be "sexually empowered, wild, free and troublesome." She says she can't let herself shy from "rich, ripe opportunities," seeing as she finds contemporary British filmmaking a snooze. As for Cym, her lusty, bloodthirsty role in "The Forsaken," she laughs off any disparaging interpretation of this role. In her throaty trill, she exits with the words, "Let the record state: I was not exploited!"

"The Forsaken" opens Friday.

(2001-04-26)




Also by Ray Pride

KINGDOM COME
Life was hard during the California Gold Rush; contemporary art film distribution may be slightly tougher.
(2001-04-19)

MULLETING IT OVER
David Spade's newest star vehicle, likable, headlong and often nonsensical, finds the small comic playing an obstinate, put-upon janitor in acid-washed jeans and a ratty mullet wig, who lives for Van Halen and a dream of rejoining his family -- who deserted him at a Grand Canyon rest stop when he was only 8 years old
(2001-04-12)

WORLDS KNOWN
A mirror of language and a dance of desire, the culmination of "The Beauty of the Husband"'s performance takes the breath away.
(2001-04-05)

BLOWN
"Blow," more than six years in the planning, is a pop tapestry of urge and need. The flip side of "Traffic," Ted Demme's fifth feature embellishes the life story of George Jung, the most profligate of drug dealers, who, working in the late 1970s and early 1980s with Colombia druglord Pablo Escobar, filled our fair land with kilos of "disco shit -- pure as the driven snow."
(2001-04-05)

THIS AMERICAN SO-CALLED LIFE
(2001-03-29)

WHOLE CLOTH
(2001-03-29)

COLOR BIND
(2001-03-22)

WORDS ON PICTURES
(2001-03-22)

OFF CAMERA
(2001-03-22)

MANNY FROM HEAVEN
(2001-03-08)

RAINSTORMS OF WORDS
(2001-03-01)

MEET JOE BLOW
(2001-03-01)






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